Something Just Like This Sheet Music Preview

Something Just Like This: Choral Instrumental Pak

As performed by Chris Martin / As performed by Guy Berryman / As performed by Will Champion / As performed by Jonny Buckland / As performed by Andrew Taggart / As performed by The Chainsmokers Coldplay / Arranged by Mark Brymer

Item: 35-PK00399227

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Description
Here is an easy, breezy dance groove song. The Chainsmokers and Coldplay fuse their styles to give us a guitar driven EDM with a powerful vocal line. A great way to set the mood for a pops concert.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00399227

More about this title

About the Artist: Chris Martin

Chris Martin fronts Coldplay, one of the defining rock bands of the 21st century. His songwriting balances emotional restraint with soaring melodies, often built on simple harmonic foundations that invite creative interpretation. In the classroom, his work demonstrates how effective pop songwriting relies on strong melodic hooks and accessible chord progressions rather than technical complexity.

Why we love this

Mark Brymer's arrangement transforms this collaboration into a vehicle for genuine ensemble joy. The guitar-driven foundation sits perfectly for singers who've spent months on classical work, and the EDM influences give students permission to interpret the groove rather than simply execute it. It's the kind of piece that reminds people why they joined choir in the first place.

What to expect

Bright, confident, and propulsive. The track pulls you forward with its steady electronic pulse while the vocal melody floats above with genuine warmth. It feels like a song written for a moment of connection rather than display, even as it sparkles with contemporary production energy.

Who it's for

Choirs at the middle school through early high school level who want to program contemporary music with harmonic and rhythmic accessibility. Directors seeking a bridge between classical concert repertoire and genuine popular culture will find this especially useful. The arrangement works for ensembles with varying instrumental resources since it's designed as a Pak.

How to get the most out of it

  • Establish the groove pocket early. The success of this piece lives in the rhythm section's pocket, not in rushing to the next phrase.
  • Layer the vocal lines gradually during rehearsals. Start with the melody alone, then add harmonies one voice part at a time so singers hear how their part sits within the texture.
  • Balance the vocal line against the instrumental accompaniment. Students naturally want to sing loudly over a dance groove; dial them back to let the energy come from precision and pocket rather than volume.
  • Encourage rhythmic precision on syncopated passages. The EDM elements create moments where straight interpretations fall flat; tap these sections out separately before combining with pitch.

How to use it

Place this near the end of a pops concert to shift the energy and send the audience out feeling current and alive. It works equally well as a spring concert opener that announces your ensemble's range and willingness to engage contemporary music. Consider pairing it with one additional modern pop arrangement to demonstrate breadth without overshadowing your classical or more traditional selections.

Skills your students will build

  • Singing over a steady electronic beat without losing rhythmic independence
  • Blending voices in contemporary harmony structures
  • Interpreting syncopated rhythms with confidence
  • Balance between melody and accompanying instrumental textures
  • Sustaining ensemble energy in repetitive groove structures

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