Something In The Water (arr. Frank de Vreeze): SSATB Choral Octavo

Frank de Vreeze's arrangement captures the emotional core of Fraser's original while giving choirs room to shape the piece through thoughtful voice leading. The SSA/SSAA voicing makes this accessible to mixed choirs without sacrificing harmonic sophistication, and the pop sensibility appeals to singers who might otherwise feel disconnected from standard choral fare.

Reflective and emotionally present. The arrangement unfolds with a quiet intensity, inviting singers and listeners into a moment of genuine feeling. There's a spiritual quality embedded in the harmony that elevates the song beyond typical pop convention.

Choirs seeking contemporary repertoire that doesn't require extensive performance experience or advanced musicianship. This works equally well for secondary school choirs, community ensembles, and college groups building modern pop into their season.

• Treat the melody line as a conversational thread rather than a declarative statement. The song's power comes from intimacy, not projection.
• Balance the lower voices carefully so harmonies support without overwhelming the top line; this arrangement rewards precision in part independence.
• Pay attention to any rhythmic flexibility suggested in the score. Pop arrangements often thrive when singers breathe naturally rather than mechanically.

Pair this with other contemporary choral work in a concert exploring modern spirituality or personal resilience, or use it as a bridge piece between traditional and pop repertoire to expand your audience's comfort zone. Its moderate length makes it an excellent closer or palate-cleansing moment in a longer program.

• Balancing melody and harmonic voices in a pop idiom
• Maintaining conversational tone while singing in ensemble
• Reading and executing contemporary rhythmic figures
• Blending SSA/SSAA voicing across varying choir sizes