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Something Borrowed Something Blue: Book

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Something Borrowed Something Blue: Book

Principles of Jazz Composition

By Andy Jaffe

Item: 01-ADV11207

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Something Borrowed, Something Blue is a broad survey of the wider principles of harmony, form, adaptation, and developmental technique underlying jazz composition in its various instrumental formats. This book examines compositions ranging from those for solo piano to large ensemble, from common forms such as blues and 32-bar song forms to extended through-composed pieces, to those based on adaptations of European classical forms such as fugue and rondo. Such topics as individuality of voice, cultural and historical influences, the contrafact, formal appropriation, pantonality, reharmonization, and the use of counterpoint are among those covered. Composers represented include a wide range of stylists, similar to Scott Joplin, Duke Ellington, Thelonious Monk, Charles Mingus, John Coltrane, Gil Evans, Mary Lou Williams, Herbie Hancock, Oliver Nelson, Hermeto Pascoal, and John Lewis, among many others. The extensive bibliography, discography, and end of chapter assignments are designed to provide students and faculty at either the undergraduate or graduate level with a flexible framework for analysis of additional compositions of their choice, as well as a basic set of useful research references and suggested compositional projects. Some questions the book poses are: What formal elements and musical characteristics are common to the diverse stylistic range of jazz composition? Which of these elements exist in any form of musical composition or artistic expression, and which are unique to composition in the jazz tradition? How do composers apply these techniques in a way that enables them to create an individual voice within the context of the jazz tradition?

Chapters: Forward * General Questions and Principles * Motivic Identiy and Reieration * The Blues * Harmony * Form * Compositional Uses of Rhythm * Appropriatiion and Adaption * Analysis of Selected Compositions * Index * Glossary * Bibliography * Discography * Copyright Notices * Acknowledgements of Sources Consulted * About the Author.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892211-22-1
ISBN13: 978-3-892211-22-8
UPC: 805095112078
SKU: 01-ADV11207

More about this title

About the Author: Andy Jaffe

Andy Jaffe is a jazz pianist, composer, and educator whose scholarship bridges performance and pedagogy. His work examines the foundational principles that connect jazz composition across stylistic boundaries, drawing on decades of experience in both the practice and teaching of jazz.

Why we love this

This book treats jazz composition with the analytical rigor typically reserved for classical music while honoring jazz's own internal logic and diversity. Rather than isolating jazz as a historical artifact, Jaffe positions it as a living system where harmonic principle, formal structure, and cultural context inform every creative choice. Students gain permission to study Monk alongside Joplin, to understand reharmonization as a legitimate compositional tool, and to see counterpoint and form not as foreign imports but as techniques jazz musicians have claimed and transformed.

What to expect

Intellectual and expansive. The book opens the door to understanding how individual voices emerge within jazz's structural traditions, and how composers working in radically different styles all grapple with similar fundamental questions about harmony, form, and cultural identity.

Who it's for

Undergraduate and graduate jazz studies students ready to move beyond transcription and imitation into analytical and compositional thinking. Faculty teaching jazz composition, history, and theory will find a comprehensive framework for guiding students through their own musical investigations.

How to use it

Use this text as the core resource for an upper-level jazz composition or analysis seminar. The end-of-chapter assignments and bibliography scaffold student research projects that can feed into student recitals, composition portfolios, or thesis work. Its breadth makes it equally valuable for jazz history courses seeking to deepen structural understanding.

Skills your students will build

  • Analyzing jazz forms (blues, 32-bar standards, through-composed structures)
  • Understanding reharmonization and contrafact techniques
  • Identifying voice individuality and developmental strategies in jazz
  • Recognizing adaptation of classical forms (fugue, rondo) within jazz contexts
  • Conducting independent analysis of jazz compositions using provided research methods
  • Composing original jazz work grounded in harmonic and formal principle

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