Solos in Style, Book 2 Cover Image

Solos in Style, Book 2: Late Elementary Piano Book

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Solos in Style, Book 2 Cover Image

Solos in Style, Book 2: Late Elementary Piano Book

By Melody Bober

Item: 98-FJH1285

$8.95
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Description
These interesting and descriptive solos by Melody Bober will allow your late elementary students to play with confidence. All pieces include optional teacher duets to enhance performance.

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Additional Details
Series: Composers In Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-221-8
ISBN13: 978-1-56939-221-8
UPC: 674398207015
SKU: 98-FJH1285

More about this title

About the Composer: Melody Bober

Melody Bober

Melody Bober composes with one clear purpose: to write music that makes young pianists want to practice. Her pieces emerge from real classroom experience, two decades in public schools, university-level teaching, and a thriving private studio have shaped her understanding of what late elementary students actually need to play well. She holds degrees from the University of Illinois at Champaign-Urbana (B.M. in music education, summa cum laude) and Minnesota State University, Moorhead (M.A. in piano performance), and studied under accomplished teachers including Joel Shapiro and Andrew Froelich.

Beyond her compositional work, Bober maintains active roles as a church pianist, accompanist, and clinician at conventions and workshops across North America. Her experience as both a performer and educator, including time as a church music director, informs every piece she writes. She lives in Minnesota with her husband Jeff.

Why we love this

Bober writes solos that sound far more sophisticated than they play, which means your students gain genuine musicianship without hitting a wall of difficulty. The included teacher duets transform solo practice into real ensemble playing, giving late elementary pianists their first taste of what it means to shape a line within a larger musical texture. You'll find these pieces actually get played at recitals instead of gathering dust in the studio.

What to expect

Each piece breathes with character and purpose. Descriptive titles guide the imagination while the music itself, occasionally playful, occasionally reflective, keeps fingers engaged and ears invested. These aren't abstract technical exercises dressed up as songs; they're little stories your students actually want to tell.

Who it's for

Late elementary pianists who are ready to move beyond simplified arrangements and tackle pieces with real musical content. Studio teachers seeking polished recital material that doesn't require a summer's worth of practice. Classroom music teachers looking for intermediate solo repertoire with collaborative options.

How to get the most out of it

  • Use the teacher duet strategically during lessons to anchor rhythm and intonation; students naturally lock into the accompaniment's harmonic support.
  • Listen for moment-to-moment phrasing over individual notes; descriptive titles encourage students to think about character rather than just hitting keys.
  • Balance technical accuracy with interpretive confidence by having students perform the piece multiple times without stopping, letting musical instinct emerge after mechanics are secure.
  • Encourage students to play both parts at different times, switching roles builds awareness of how melody and accompaniment work together.

How to use it

Build a progressive recital where solos alternate with duet performances featuring teacher and student; the variety keeps audience energy fresh while showcasing each student's growth. Slot individual pieces throughout the year as milestones in your curriculum, pairing each with corresponding technique work in a dedicated practice method. These solos also work beautifully in mixed recitals where ensemble pieces frame student showcases.

Skills your students will build

  • Reading and interpreting descriptive musical language to shape interpretation
  • Managing ensemble coordination with a second piano part
  • Building confidence in solo performance through accessible yet musically complete pieces
  • Balancing technical demands with expressive intent over longer phrases
  • Developing rhythm accuracy and stylistic control across varied tempos and characters

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