Solos for Young Violinists, Volume 4 Cover Image

Solos for Young Violinists, Volume 4: Digital Audio Download

$13.99 USD
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Solos for Young Violinists, Volume 4 Cover Image

Solos for Young Violinists, Volume 4: Digital Audio Download

Selections from the Student Repertoire

Performed by violinist Barbara Barber with pianist Trudi Post

Item: 00-AA-0000073

$13.99
Digital Download
Description

Solos for Young Violinists, Volume 4: Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

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Sample Audio
1 01 Polish Dance --:--
2 02 Rondino on a Theme by Beethoven --:--
3 03 Concerto No --:--

01 Polish Dance

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Sample Video
Additional Details
Series: Solos for Young Violinists
Publisher: Alfred Music
SKU: 00-AA-0000073

More about this title

Why we love this

Volume 4 collections offer students who've moved past beginner material exactly what they need: solos written at an intermediate level that actually sound like real music, not exercises. The audio download component means your students can hear professional performances anytime, turning practice sessions into guided learning rather than guesswork.

What to expect

Intermediate-level solos typically blend melodic writing that sings naturally on the violin with accompaniments that support without overwhelming. Expect pieces that require clean technique and musical maturity without the physical demands of advanced repertoire.

Who it's for

Violinists working through intermediate repertoire who benefit from hearing professional interpretations of the pieces they're learning. Students preparing for recitals or auditions gain confidence by studying how experienced musicians shape phrasing and articulation.

How to get the most out of it

  • Listen through the entire accompaniment first without playing, noting where the violin enters, where the texture thickens, and where you need to project over fuller orchestration.
  • Record yourself playing along with the accompaniment, then play it back without the audio to identify rhythmic lag or tempo instability that won't show up when you're listening to the track.
  • Mark dynamic peaks in pencil before rehearsals so you know exactly where to build intensity and where to pull back; the accompaniment can mask balance problems during solo practice.

How to use it

These solos serve as anchor pieces for spring recitals, giving students meaningful solo opportunities without requiring complex orchestrations or lengthy rehearsal time with accompanists. They also work as trial runs for students considering competitive performance routes.

Skills your students will build

  • Sustaining musical phrasing over longer passages
  • Balancing solo line against accompaniment textures
  • Responding to ensemble sound while maintaining independent intonation
  • Interpreting stylistic markings and tempo indications from professional recordings

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