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Solos, Duets & Trios for Strings: Movie Favorites: Viola Book & Online Audio/Software/PDF

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Solos, Duets & Trios for Strings: Movie Favorites: Viola Book & Online Audio/Software/PDF

Flexible Arrangements for Multiple Combinations of String Instruments

Arr. various, ed. Bill Galliford

Grade: 2-3

Item: 00-48276

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Description
Adaptable and flexible to your unique needs, Solos, Duets & Trios for Strings is a versatile series that encourages playing in a variety of combinations. Featuring three written parts for every song, the arrangements are designed so that the top line is the melody (Part 1), the second line (Part 2) creates a duet, and the third line (Part 3) forms a trio. You can play solo parts alone or form small string ensembles by mixing and matching instrumentation, as well as mixing the parts played. Students will gain the opportunity to learn how to play in a small chamber group setting. Solos, Duets & Trios for Strings: Movie Favorites features 19 of the most familiar and popular movie themes ever.

Titles: As Time Goes By * Can You Read My Mind? (Love Theme from Superman) * Cantina Band * Family Portrait * From Russia with Love * Gonna Fly Now (Theme from Rocky) * Hedwig's Theme * The Great Escape March * The Imperial March (Darth Vader's Theme) * In Dreams * May the Force Be with You * James Bond Theme * The Magnificent Seven (Main Title) * Newt Says Goodbye to Tina/Jacob's Bakery * Over the Rainbow * Shallow * Song from M*A*S*H (Suicide Is Painless) * Star Wars (Main Title) * Theme from Superman.

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Additional Details
Series: Solos, Duets & Trios for Strings
Publisher: Alfred Music
Page Count: 68
ISBN10: 1-4706-4328-6
ISBN13: 978-1-4706-4328-7
UPC: 038081556116
SKU: 00-48276

More about this title

Why we love this

The genius of this collection is that it meets students exactly where they are developmentally. Grades 2, 3 violists get to play iconic melodies they actually recognize, which builds confidence and musicianship simultaneously. The flexible three-part system means you can customize every rehearsal: solo work for struggling players, duets for peer accountability, trios for full ensemble experience, all from the same page.

What to expect

Picking up this book feels like unlocking a music library you already love. From the imperial menace of Darth Vader's Theme to the soaring romanticism of Superman's love theme, each arrangement captures the emotional core of the original while staying technically accessible. Students hear themselves playing real movie music, not exercises.

Who it's for

Viola students in their second or third year of study benefit most from this collection. It's equally useful for ensemble directors running mixed-level chamber groups or string teachers who need flexible etude material that keeps beginners engaged.

How to get the most out of it

  • Start with Part 1 (melody) as the anchor, then layer in Part 2 once that section feels secure. This prevents the ensemble from losing the recognizable tune while players develop independence.
  • Match the articulation style across all three parts when you mix instrumentation. String players often default to different bowings, so lock that in early to create cohesive phrasing.
  • Use the online audio to identify your arrangement's balance point. Play along with it first, then remove it gradually so students internalize the full texture without relying on it.

How to use it

Feature a duet or trio arrangement in a casual concert to demonstrate your beginning string students' progress. These pieces also work beautifully as sight-reading warm-ups at rehearsal, since the familiar melodies help students focus on technique rather than decoding unfamiliar tunes.

Skills your students will build

  • Reading three-part scores and understanding harmonic function beyond melody
  • Balancing melodic and accompanying voices in chamber settings
  • Maintaining independent part security while listening to other players
  • Adapting to different instrumentation combinations with flexible transposition
  • Basic chamber ensemble etiquette: cueing, breathing, and ensemble cohesion

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