Solo de Concours, Opus 10: Clarinet Part(s)

$7.95 USD

Solo de Concours, Opus 10: Clarinet Part(s)

Name: Solo de Concours, Opus 10: Clarinet Part(s)
Brand: Alfred Music
SKU: 00-K03323
Price: 7.95 USD
Availability: InStock

By Henri Rabaud

Item: 00-K03323

$7.95

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Expertly arranged B-Flat Clarinet Solo by Henri Rabaud from the Kalmus Edition series. This is from the 20th Century and Romantic eras.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Solo de Concours, Opus 10: Clarinet Part(s) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Kalmus Edition

Publisher: Alfred Music

Page Count: 16

ISBN10: 0-7579-2255-4

ISBN13: 978-0-7579-2255-8

UPC: 654979078678

SKU: 00-K03323

More about this title

About the Composer: Henri Rabaud

Henri Rabaud (1873-1949) was a French composer and conductor who bridged the late Romantic and early 20th-century concert worlds. His orchestral works and chamber compositions demonstrate refined craftsmanship and lyrical sensibility, earning him respect among both audiences and musicians of his time.

Rabaud served as director of the Paris Opera and guest conducted major European orchestras, giving him insight into what performers needed from a score. His compositions for solo instruments, particularly this clarinet work, reflect his understanding of instrumental voice and his commitment to writing music that is both musically substantial and idiomatic to the instrument.

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Why we love this

Rabaud composed music that works. Solo de Concours delivers genuine musicianship within a manageable scope, making it ideal for advancing students preparing for festival or contest performance. The writing sits comfortably on the clarinet while demanding real technical facility and interpretive control.

What to expect

Elegant and purposeful. The piece weaves virtuosic passages through a singing, melodic core, creating music that feels both showpiece and sincere. The harmonic language is sophisticated yet never opaque, inviting the performer to find beauty in clarity and control.

Who it's for

Advanced high school clarinetists and serious music students preparing for solo competition or festival performance. This work suits musicians ready to tackle substantial technical and expressive demands while demonstrating mature musicianship.

How to get the most out of it

Shape the melodic line with subtle dynamic contours rather than relying on sudden changes; Rabaud's phrasing rewards singers who understand how to build and release tension within a single breath.
Pay attention to articulation markings as structural signposts. Clean, precise tonguing helps define the harmonic movement and keeps the solo from sounding muddy.
Balance virtuosic passages with lyrical sections by adjusting tone color and vibrato intensity. The contrast between technical display and singing quality is central to the work's character.
Use the 16 pages to mark rehearsal and performance sections clearly. This helps you prioritize high-challenge areas and develop a secure map of the piece.

How to use it

Program this as a featured solo performance at a wind and brass concert or instrumental recital, where it can anchor a mixed set of shorter works. It also works as a contest or festival selection, providing substantial musical and technical material for adjudication. Consider pairing it with a piano accompaniment (if available separately) to highlight the Romantic lineage.