Solo Celebration, Book 2 Cover Image

Solo Celebration, Book 2: Piano Book

$9.99 USD
Sale price  $9.99 USD Regular price 
Skip to product information
Solo Celebration, Book 2 Cover Image

Solo Celebration, Book 2: Piano Book

10 All-New Piano Solos by Favorite Composers

By Davis Dorrough, W. T. Skye Garcia, Jennifer Linn, Angela Marshall, Kevin Olson, Wynn-Anne Rossi, Mary K. Sallee, and Bradley Sowash

Level: Elementary

Item: 00-52078

$9.99
Shipped

One moment…

Description
This vibrant six-book series showcases 10 original piano solos in each book, bringing together the creative work of many well-known composers and rising talents. Spanning the early-elementary to late-intermediate levels, Solo Celebration highlights a variety of styles with fresh, contemporary elements that spark curiosity and imagination. Composers include W. T. Skye Garcia, Jennifer Linn, Kevin Olson, Wynne-Anne Rossi, and more! Book 2 features music for elementary pianists.

Solo Celebration, Book 2: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
1 Celestial Lullaby --:--
2 Lost in the Labyrinth --:--
3 Pirate's Secret Hideout --:--
4 Robo March --:--
5 Tiptoe Power --:--
6 Under the Mango Tree --:--

Celestial Lullaby

0:00
0:00
Sample Video
Additional Details
Series: Solo Celebration
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-7686-9
ISBN13: 978-1-4706-7686-5
UPC: 038081599199
SKU: 00-52078

More about this title

About the Composer: Davis Dorrough

Davis Dorrough

Davis Dorrough brings deep expertise in piano pedagogy and performance to his work as both educator and author. He earned his Master of Music in Piano Performance and Pedagogy from the University of Oklahoma, where he studied under Jane Magrath and Barbara Fast, and completed his undergraduate degree in Music at Arkansas Tech University. His contributions to music education extend across publication (he has co-authored ten books, including the Easy Piano Lead Sheets and Chord Charts series), presentation at major conferences such as MTNA and the National Conference on Keyboard Pedagogy, and leadership within professional organizations.

Dorrough's impact on the field has been recognized through multiple awards, including the MTNA MarySue Harris Studio Teacher Fellowship Award, the Piano Technicians Guild Foundation Award, and the MTNA Foundation Fellow Award. He has held significant roles within MTNA, serving as Chair of the National Certification Commission and contributing to the organization's strategic planning and publications. Currently, Dorrough shapes music publishing as the piano editor at Alfred Music, where he applies his teaching experience to developing resources that resonate with students and educators.

Why we love this

Book 2 pairs genuinely playable writing with pieces that sound polished and complete, even at the elementary level. The eight composers bring distinct voices to the collection, so students encounter real musical variety rather than formulaic pieces; one solo might sparkle with contemporary flair while another explores lyrical phrasing or rhythmic intrigue. This is the kind of recital book where young pianists feel proud of what they're performing.

What to expect

Fresh, approachable, and genuinely fun. These solos sparkle with contemporary sensibility while respecting the technical reality of elementary pianists; you'll find bright rhythmic figures, color-rich harmonies, and melodies that invite expressive playing without overwhelming young hands. The collection has an air of discovery, as though each piece invites the pianist to find its own character.

Who it's for

Elementary pianists preparing for recital or simply looking to build a repertoire of contemporary, engaging solos. Book 2 suits students who have moved beyond absolute beginner materials and are ready for pieces with genuine musical interest and a touch of stylistic variety.

How to get the most out of it

  • Listen to how each piece sits on the keyboard before diving into technique. Early-elementary solos often benefit from relaxed hand position and allowing the natural weight of the arm to do the work rather than finger force alone.
  • Prepare pieces in the order they feel most rewarding to learn, not necessarily the order printed in the book. Confidence builds faster when students experience early success with the solos that speak to them musically.
  • Isolate the left hand patterns separately, especially in pieces with accompaniment figures that repeat. Once the hand finds the shape, the right hand melody emerges more naturally and expressively.

How to use it

String several of these solos across a studio recital to showcase student growth and variety without requiring a long preparation timeline. The collection's range of styles makes it ideal for creating themed programs (pairing contemporary and traditional pieces, for example) or simply filling a recital with music that reflects where elementary students are musically right now.

Skills your students will build

  • Playing across multiple registers and hand positions on the keyboard
  • Shaping melodic phrases with dynamic control at an accessible technical level
  • Reading and executing rhythmic patterns in contemporary styles
  • Understanding left-hand accompaniment figures and their relationship to melody
  • Interpreting stylistic cues and performance directions in polished, performance-ready pieces

You May Also Like