Solitude: 2nd Trombone

Wynton Marsalis selected these transcriptions specifically for the Essentially Ellington competition, meaning your students are working with pieces vetted by one of jazz's most authoritative voices and arranged directly from the original Ellington recordings. The inclusion of rehearsal notes from Jon Faddis and Brent Wallarab, plus performance guidance from Marsalis himself, transforms this into a masterclass on how to approach Duke's harmonic language and orchestral textures.

Solitude carries the contemplative elegance that Ellington mastered. The arrangement creates intimate moments within the full ensemble texture, with graceful voice leading and warm harmonic colors that reward careful listening and refined execution from every section.

Advanced high school jazz ensembles and college-level jazz bands ready to tackle sophisticated harmonic writing and authentic Duke Ellington arrangements. This material suits ensembles preparing for competitions like Essentially Ellington or those building a repertoire of jazz standards played at the highest level.

• Study the original recording provided with your parts. Ellington's orchestrations rely on subtle voice leading and timbral contrast; hearing how the original band voices each section will illuminate intonation and blend challenges your ensemble will face.
• Pay close attention to the rehearsal notes from Faddis and Wallarab regarding section balance. Jazz ensemble parts often sit in ranges that require active listening and adjustment from players to maintain the intended voicing.
• Approach the harmonic language with precision. Ellington's chord qualities and extensions demand accurate intonation and clear articulation; any sloppiness in ensemble fundamentals will expose weaknesses in complex voicings.
• Use Marsalis's performance suggestions as interpretive anchors. His guidance on phrasing and articulation is grounded in decades of playing this music and will help your ensemble understand the stylistic intent.

Program this as a centerpiece in a jazz-focused concert or competition set. The piece pairs well with other Ellington selections from this series, allowing you to build a thematic program that showcases the depth of his compositional voice. It also serves as a teaching tool for studying how a master orchestrator voices a jazz ensemble.

• Reading and interpreting authentic jazz transcriptions
• Voice leading accuracy in extended jazz harmonies
• Sectional balance and blend within large ensemble textures
• Stylistic phrasing and articulation specific to Ellington's compositional voice
• Listening skills to distinguish orchestral colors and timbral intent
• Ensemble intonation with complex chord voicings