Soliloquy for Anne: Percussion Ensemble Score & Parts

Energetic and technically demanding, with the full color spectrum of timpani at the forefront. The writing lets players explore the nuance between pitched and unpitched strikes, resonance control, and dynamic shaping in a piece that feels substantial, not simplified.

Percussion ensembles at the intermediate level looking for a genuinely musical solo vehicle rather than exercise material. Directors of programs with limited timpani access will particularly value the practical tom-tom alternative, which maintains the compositional intent while adapting to available resources.

• Establish clear stick control between the pitched timpani and any tom-tom substitutes. Consistency in mallet choice and striking technique across the ensemble ensures tonal blend even when using different instruments.
• Work mallethard choices early. The composer relies on timpani's tonal palette to create the piece's character, so experimenting with yarn, hard, and combination mallets during rehearsal pays dividends.
• Balance the ensemble carefully in relation to the timpani soloist. Because this showcases a single instrument, surrounding voices need restraint to allow the featured part to sing without being swallowed.

Feature this in a solo and ensemble contest or spring concert as a standalone showcase for your percussion section. It works equally well as an opening concert number or as part of a mixed percussion program pairing it with contrasting ensemble works.

• Malletwork across the full timpani range
• Dynamic control and resonance management
• Adapting written material to available instrumentation
• Ensemble blend and balance with a featured soloist
• Tonal color differentiation on pitched percussion