Solar (arr. John Wasson) Sheet Music Preview

Solar (arr. John Wasson): Jazz Ensemble Conductor Score & Parts

As performed by Miles Davis / Arranged by John Wasson

Grade: 4

Item: 35-PK00459428

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Description
From his early "cool" period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli treatment rounds out this superb arrangement.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00459428

More about this title

About the Artist: Miles Davis

Miles Davis shaped modern jazz across six decades, moving from bebop through cool jazz, modal exploration, and fusion with restless innovation. His 1949 recordings for Capitol Records established the "cool jazz" aesthetic that influenced generations of musicians and composers, emphasizing space, lyricism, and orchestral color over virtuosic display.

Why we love this

Wasson's arrangement captures the elegance of Davis's composition while giving your ensemble real ownership of the tune. The featured solo space for alto sax and flugelhorn invites your soloists to shine, and the band soli section provides a collective energy that gets everyone engaged in the arrangement.

What to expect

Cool and poised, with a gentle swing and plenty of space to hear individual voices. The melody is memorable and warm, the harmony sophisticated yet accessible, and the overall mood invites listening as much as it invites playing.

Who it's for

Jazz ensembles at the intermediate level who want a standard that teaches real jazz fundamentals without overwhelming complexity. Sections are balanced so players at varying experience levels can contribute meaningfully to the overall sound.

How to get the most out of it

  • Balance the flugelhorn and alto sax melody with enough space around the rhythm section so the tune breathes. Neither soloist should feel rushed by the accompaniment.
  • Let your rhythm section establish the groove first in rehearsal. Once the pocket is locked, the soloists will have a stable platform for their improvisations.
  • Shape the band soli as if the whole ensemble is one voice, not a pile of competing lines. Blend matters here as much as precision.

How to use it

Pair this with other Davis standards or contemporary jazz works to build a set that feels cohesive and historically grounded. It works equally well as a concert opener that sets a sophisticated tone or as a showcase for your ensemble's ability to play with restraint and taste.

Skills your students will build

  • Reading jazz chord changes and understanding harmonic movement
  • Trading solos and responding to other musicians in real time
  • Maintaining ensemble blend while spotlighting individual voices
  • Interpreting swing feel and jazz articulation across the full band

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