Soireestucke (Opus 73) Cover Image

Soireestucke (Opus 73): Clarinet & Piano Part(s)

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Soireestucke (Opus 73) Cover Image

Soireestucke (Opus 73): Clarinet & Piano Part(s)

By Robert Schumann

Item: 12-0571508588

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Description
These three pieces for Clarinet and Piano are already well known under the title Phantasiestucke Op.73. What is not generally known is that numerous important differences exist between the original manuscript and the first published version (the further model for all later editions).

For the first time ever, the pieces are being published exactly as they appear in Schumann's manuscript entitled Soireestucke. All points of difference between the manuscript and the first edition are outlined in a full commentary by Richard Platt and the significance of these differences emphasized by Alan Hacker in his foreword where he comments on the superior strength of the original: 'greater asymmetry, slightly varied harmony and many other touches all intensify passionate and impulsive instability, the main expression of the work.'

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50858-8
ISBN13: 978-0-571-50858-7
UPC: 571508588000
SKU: 12-0571508588
Instrumentation: Clarinet & Piano

More about this title

About the Composer: Robert Schumann

Robert Schumann (1810-1856) was a towering figure of 19th-century Romanticism, equally celebrated as a composer, critic, and pianist. His clarinet writing stands among the finest in the Romantic repertoire, balancing lyrical warmth with structural sophistication. Schumann's chamber works for wind instruments reveal his gift for intimate, emotionally direct expression—music that speaks to both the virtuoso and the thoughtful musician.

Why we love this

This edition returns these three masterworks to their original form, revealing Schumann's manuscript intentions with scholarly rigor and fresh musical clarity. The detailed commentary makes visible what makes the authentic version breathe differently from all published editions that followed: harmonies that surprise, asymmetries that feel alive, phrasing that resists predictability. For clarinetists preparing contest repertoire or concert programs, this is the score that matters.

What to expect

These pieces pulse with Romantic intensity and intimate vulnerability. The clarinet sings with a lyrical depth that feels confessional; the piano responds with harmonic richness and subtle complexity. There is a restless quality to the harmonic language, a sense that emotions shift and reshape themselves across each movement.

Who it's for

Advanced clarinetists preparing for competitions, recitals, or solo performances who want to engage with Schumann's voice directly rather than through editorial intermediaries. This edition serves musicians invested in score study and those curious about how different manuscript choices affect musical meaning.

How to get the most out of it

  • Study the commentary alongside the music to understand where Schumann's manuscript diverges from the first edition. These differences reshape phrasing and harmonic color in ways that matter for interpretation.
  • Attend to the asymmetrical phrase structures in the original; resist the impulse to regularize them. That instability is the emotional heart of the work.
  • Balance the melodic warmth of the clarinet line against the piano's harmonic and textural landscape. The piano part is never merely accompaniment.
  • Respect the manuscript's dynamic markings and articulation, which often differ subtly from what you may have learned from later editions. Those details carry interpretive weight.

How to use it

Program these three pieces as a complete set on a recital of 19th-century wind repertoire, pairing them with works by contemporaries like Brahms or Weber. They also work beautifully as contest material for upper-level clarinetists, offering substantial musical content within a compact framework. The chamber setting makes them ideal for intimate concert venues or salon-style presentations.

Skills your students will build

  • Reading and interpreting manuscript variants and editorial commentary
  • Phrasing across asymmetrical structures and unexpected harmonic turns
  • Balancing solo line with piano accompaniment in chamber context
  • Sustaining lyrical melody in the Romantic clarinet idiom
  • Understanding how different editions reflect different compositional intentions

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