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Softly, As in a Morning Sunrise: Jazz Ensemble Conductor Score & Parts

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Softly, As in a Morning Sunrise Cover Image

Softly, As in a Morning Sunrise: Jazz Ensemble Conductor Score & Parts

Arr. Dave Rivello

Grade: 3 (Medium)

Item: 00-26878

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Description
This arrangement of the standard Softly, as in a Morning Sunrise really cooks! Dave Rivello's hot Latin and swing chart will excite and challenge the band. Solos are written out or ad lib for alto sax and trombone plus drum and optional percussion. Lead trumpet range is to written B-flat above the staff. Energy! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Softly, As in a Morning Sunrise: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 110
UPC: 038081293585
SKU: 00-26878

More about this title

About the Arranger: Dave Rivello

Dave Rivello

Dave Rivello directs the New Jazz Ensemble at the Eastman School of Music, an ensemble recognized for its excellence in performance and innovation. His training in composition and arranging comes from some of jazz's most influential voices: Bob Brookmeyer, Rayburn Wright, Bill Dobbins, and Sam D'Angelo. He holds degrees from the Eastman School of Music and the Dana School of Music at Youngstown State University.

Rivello's commissions and arrangements have been performed by world-class soloists and ensembles including Bobby McFerrin, Phil Woods, Randy Brecker, Regina Carter, The Smithsonian Institute, and the Airmen of Note. His work has traveled across the United States as well as Germany and Spain, establishing him as a composer and arranger whose writing speaks directly to the needs and capabilities of performing ensembles.

Why we love this

Rivello's arrangement captures the essence of this standard while delivering exactly what a Grade 3 ensemble needs: accessible parts that still demand musicianship, clear solo vehicles that invite improvisation without overwhelming soloists, and genuine energy that keeps both performers and audiences engaged. The Latin and swing blend gives your program distinctive flavor without requiring specialized instrumentation.

What to expect

The arrangement swings hard while maintaining the delicate lyricism the tune demands. You'll hear the Latin propulsion underneath, bright horn colors trading lines, and moments where the ensemble steps back to let the soloists breathe. It's music that feels both respectful of the standard and unmistakably modern.

Who it's for

Jazz ensembles at the intermediate level looking for a standard reimagined with real swing and Latin heat. Alto sax and trombone soloists get featured moments whether they improvise or lean on the written material. Directors seeking repertoire that challenges students without overwhelming them will find this accessible and rewarding.

How to get the most out of it

  • Establish the Latin feel early in sectionals. The rhythm section drives this chart, so lock the piano and bass into the clave pattern before bringing in horns.
  • Explore the written solos first. Having those options helps soloists understand the harmonic map before attempting ad lib passages, especially valuable for players less experienced in jazz contexts.
  • Balance the lead trumpet's high register against the ensemble. The written B-flat passages need clarity and projection, but shouldn't overshadow the fullness of the big band sound underneath.
  • Shape the dynamics across the full arc. This arrangement cooks best when there's genuine contrast between the Latin sections and swing passages, creating momentum that builds rather than plateaus.

How to use it

Plant this in a jazz-focused concert where it can anchor a set of standards alongside contemporary jazz tunes. It also works beautifully as the closer to a mixed concert program, offering enough accessibility for general audiences while showcasing your ensemble's technical and stylistic range. The accessible Grade 3 level makes it an excellent choice for winter concerts or spring assessments.

Skills your students will build

  • Latin feel and clave rhythm, particularly in rhythm section parts
  • Reading and executing written jazz solos with idiomatic phrasing and articulation
  • Navigating between written and ad lib passages for improvisers
  • Ensemble balance and blend in a jazz context, especially supporting solo passages
  • Lead playing with secure intonation in the extended range (written B-flat above staff)

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