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Sodermanland: Part(s)

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Sodermanland Cover Image

Sodermanland: Part(s)

By James D. Ployhar

Item: 36-B390701

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355099236
SKU: 36-B390701
Instrumentation: Concert Band

More about this title

About the Composer: James D. Ployhar

James D. Ployhar

James D. Ployhar has established himself as a prolific voice in music education, with more than 800 published compositions to his name. His work spans orchestration study under respected mentors, including collaboration with Knud Havalde of the Danish Royal Philharmonic Orchestra, and he authored the Contemporary Band Course, a resource now published by Alfred Music and adopted in schools across Norway, France, and beyond.

Plyohar's influence extends across the classroom and the podium. Beyond nearly two decades of public school teaching, he has conducted clinics and workshops at universities throughout North America and Europe, earning the National Band Association Citation of Excellence and recognition as a Distinguished Alumnus. His academic preparation includes degrees from Valley City State University and Northern Colorado University, with advanced study in composition at California State University-Long Beach.

Why we love this

Sodermanland carries the hallmark of Ployhar's educational sensibility: music that sounds substantial without demanding excessive technical facility. The piece respects both student musicians and audiences, delivering genuine artistic expression within the reach of a solid high school or college concert ensemble.

What to expect

Sodermanland reflects Ployhar's European study and influences, with melodic writing that feels both lyrical and purposeful. The orchestration unfolds with clarity and warmth, inviting the ensemble to discover the richness of band scoring at its most elegant.

Who it's for

Concert bands at the intermediate to advanced high school level and college ensembles looking for repertoire that combines technical accessibility with musical substance. Directors seeking a work that develops ensemble musicianship without excessive complexity will find this piece rewarding.

How to get the most out of it

  • Balance the melodic voices carefully; Ployhar's writing distributes thematic material across the band, and clarity in the middle voices prevents the texture from becoming muddled.
  • Shape phrases with purpose rather than rushing through sectional transitions. The composition benefits from breathing room and deliberate pacing.
  • Ensure consistent tone quality across all sections. Ployhar's orchestration relies on blend and balance to achieve its full effect.

How to use it

This work functions well as a concert centerpiece for groups looking to showcase their development without requiring extended rehearsal time on high-difficulty passages. It pairs naturally with other Ployhar compositions or with contemporary works that share his emphasis on melodic storytelling.

Skills your students will build

  • Balancing multiple independent melodic lines within the ensemble texture
  • Sustaining phrase direction over longer passages
  • Responding to conductor choices in phrasing and dynamic shape
  • Listening across sections for tonal and rhythmic cohesion

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