So Many Stars (arr. Emily Crocker): Choral Instrumental Pak
As performed by Sergio Mendes / As performed by Brasil '66 / Arranged by Emily Crocker
Item: 35-PK01860352
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Description
Float into a night sky of sound with this dream-like, jazz-infused arrangement of So Many Stars. Emily Crocker weaves lush harmonies and a magical atmosphere, creating a performance that feels both intimate and expansive. This arrangement shimmers with velvety jazz textures, gentle swing, and a sense of wonder that will captivate singers and audience alike.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK01860352
More about this title
About the Artist: Sergio Mendes
Sergio Mendes is a Brazilian pianist and bandleader who brought bossa nova and samba rhythms into the global consciousness during the 1960s and beyond. His work with Brasil '66 became iconic for its sophisticated yet accessible blend of Brazilian grooves, pop sensibility, and jazz harmonies, influencing generations of musicians across genres.
Mendes' arrangements and compositions consistently demonstrate how to layer vocal and instrumental textures with warmth and precision. His legacy in music education centers on showing performers how contemporary jazz and world music traditions can coexist with classical choral writing.
Why we love this
Emily Crocker's interpretation captures the Mendes sound in all its sophisticated elegance without sacrificing singability or clarity. Rhythm section musicians will find themselves playing genuine jazz comping rather than simple accompaniment, making this arrangement rewarding for ensemble players who want to stretch their skills.
What to expect
Floating through a night sky lit by gentle starlight. The voices create a dreamlike haze while the rhythm section keeps everything grounded in a subtle groove, making the piece feel both weightless and present at once.
Who it's for
Choirs with singers who respond to jazz vocabulary and musicians comfortable with swing feels and contemporary harmonic language. Ensembles seeking concert repertoire that feels fresh without sacrificing musicianship will find this accessible at intermediate and advanced levels.
How to get the most out of it
- Balance the vocal blend against the jazz textures in the rhythm section. The voices should float rather than punch through; let the velvety harmonies breathe.
- Shape phrase endings with a slight ritardando to enhance the intimate, dreamy quality. Avoid letting swing rhythms push you forward into the closing moments.
- Work the rhythm section through the harmonic movement independently from the singers at first. Once they own their comping and voicings, the choral sound will settle naturally on top.
- Pay attention to the dynamic contours even in passages that feel static harmonically. This arrangement shimmers through subtle elevation and release, not sudden shifts.
How to use it
Position this as a standalone feature concert piece that showcases your ensemble's flexibility across genres. It pairs beautifully in a set with other contemporary or jazz-influenced works, or stands alone as an elegant closer to a concert that spans classical, pop, and world music traditions.
Skills your students will build
- Jazz harmony and voice leading in contemporary choral contexts
- Swing rhythms and ensemble synchronization without metronomic rigidity
- Dynamic shaping and phrasing in music with minimal textural change
- Balancing choral blend against instrumental textures
- Interpreting rhythmic notation in a jazz idiom