So Hallow'd Is That Time (Mixed Choir) Cover Image

So Hallow'd Is That Time (Mixed Choir): Mixed Voices (SSATTBB)

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So Hallow'd Is That Time (Mixed Choir) Cover Image

So Hallow'd Is That Time (Mixed Choir): Mixed Voices (SSATTBB)

By Eriks Ešenvalds/Words by William Shakespeare (1564 - 1616)

Item: 98-MB3891

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Description
So Hallow'd Is That Time is set on Shakespeare's Hamlet act 1, scene 1. Premiered on 15 December 2023 , Choral Arts Ensemble and its director and founder Rick Kvam, Zumbro Lutheran Church in Rochester, Minnesota.

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Additional Details
Publisher: Musica Baltica
Page Count: 12
ISBN10: 0-26-503330-6
ISBN13: 979-0-2650-3330-1
UPC: 0
SKU: 98-MB3891
Instrumentation: SCtTB soli, SSASTTBB

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral works have established him as a leading voice in contemporary sacred and secular vocal music. His compositions are performed worldwide by professional and amateur choirs alike, characterized by luminous harmonic language and deep engagement with text. Ešenvalds has received numerous commissions and awards, and his output spans liturgical settings, concert works, and large-scale choral compositions that appeal to singers across skill levels.

Why we love this

Ešenvalds takes one of literature's most haunting scenes and crafts choral music that captures its atmospheric tension without overwrought drama. The piece demands serious musicianship from all sections while remaining accessible enough for strong community and collegiate choirs, and it offers the rare gift of a substantial work that sounds substantial without requiring specialized vocal technique.

What to expect

The music evokes the cold, watchful atmosphere of Hamlet's opening guard scene, with harmonic language that feels suspended between tonal and modern sensibilities. Ešenvalds builds quiet intensity through layered voices and carefully placed dissonance, creating an intimate, introspective soundscape that never rushes toward resolution.

Who it's for

This work suits advanced high school choirs, college and university ensembles, and accomplished community choirs. Singers need secure sight-reading and blend; the piece rewards choirs that have spent time on contemporary harmonic language and can sustain soft, cohesive passages.

How to get the most out of it

  • Balance the soloists (SCTTB) against the full ensemble carefully; their material should cut through without the full choir pulling back unnecessarily.
  • Attend closely to the relationship between text and harmony, since Ešenvalds often uses harmonic color to underscore Shakespeare's meanings rather than relying on dramatic tempo shifts.
  • Secure the inner voices early in rehearsal. SSASTTBB voicing creates rich texture, but weak altos or tenors will obscure the harmonic foundation.

How to use it

Program this as an anchor for a Shakespeare-themed concert or as part of a contemporary choral series. Its twelve pages and demanding but rewarding rehearsal process make it suitable for a concert's substantive first half, where it can establish the ensemble's interpretive seriousness before lighter or more familiar works.

Skills your students will build

  • Balancing soloists within a full ensemble texture
  • Singing contemporary harmonic language with accurate intonation
  • Interpreting text through harmonic color and dynamic control
  • Sustaining soft, blended singing across six voice parts

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