SNOWDRIFTS/YS: Concert Band Conductor Score & Parts
By Jordan Sterk
Grade: 2
Item: 00-PK-0009383
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| Product | Price | Quantity |
|---|---|---|
| SNOWDRIFTS/YS: Score | $12.00 | |
| SNOWDRIFTS/YS: Flute | $3.00 | |
| SNOWDRIFTS/YS: Oboe | $3.00 | |
| SNOWDRIFTS/YS: Bassoon | $3.00 | |
| SNOWDRIFTS/YS: 1st B-flat Clarinet | $3.00 | |
| SNOWDRIFTS/YS: 2nd B-flat Clarinet | $3.00 | |
| SNOWDRIFTS/YS: B-flat Bass Clarinet | $3.00 | |
| SNOWDRIFTS/YS: E-flat Alto Saxophone | $3.00 | |
| SNOWDRIFTS/YS: 2nd E-flat Alto Saxophone | $3.00 | |
| SNOWDRIFTS/YS: B-flat Tenor Saxophone | $3.00 | |
| SNOWDRIFTS/YS: E-flat Baritone Saxophone | $3.00 | |
| SNOWDRIFTS/YS: 1st B-flat Trumpet | $3.00 | |
| SNOWDRIFTS/YS: 2nd B-flat Trumpet | $3.00 | |
| SNOWDRIFTS/YS: 1st F Horn | $3.00 | |
| SNOWDRIFTS/YS: 1st Trombone | $3.00 | |
| SNOWDRIFTS/YS: 2nd Trombone | $3.00 | |
| SNOWDRIFTS/YS: Baritone B.C. | $3.00 | |
| SNOWDRIFTS/YS: Baritone T.C. | $3.00 | |
| SNOWDRIFTS/YS: Tuba | $3.00 | |
| SNOWDRIFTS/YS: Mallets | $3.00 | |
| SNOWDRIFTS/YS: 1st Percussion | $3.00 | |
| SNOWDRIFTS/YS: 2nd Percussion | $3.00 | |
| SNOWDRIFTS/YS: Timpani | $3.00 |
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Description
Flowing melodies weave gently through the ensemble, passing from section to section with grace and subtlety. The rich textures and carefully crafted dynamics offer both performers and listeners a deeply immersive and memorable musical experience — one that reflects the peaceful stillness and quiet joy of a winter's day.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, SNOWDRIFTS/YS: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Jordan Sterk

Jordan Sterk holds a Bachelor of Music Education from Michigan State University, where he studied tuba and euphonium with Philip Sinder and composition with John T. Madden. His work spans composing original music, arranging for various ensembles, and drill design.
Sterk teaches band at all levels, from beginning students through high school, in his hometown of Owosso, Michigan. His compositions reflect both his pedagogical experience and his deep understanding of wind band sonorities.
Why we love this
Sterk crafts a piece that genuinely sounds like winter without resorting to clichéd winter fanfare. The lyrical writing gives every section meaningful material, which keeps younger players engaged and invested in the narrative arc. At Grade 2, this works as a legitimate concert showcase rather than filler.
What to expect
Sunlight glinting across untouched snow. The piece exhales warmth and quietude, with melodies that drift gently from one color to another like wind moving across a winter landscape. It's restful and contemplative, never heavy.
Who it's for
Grade 2 concert bands seeking a legitimate artistic statement rather than a novelty piece. This works equally well in winter concerts, festival programming, or any concert that benefits from a moment of genuine lyrical beauty and ensemble cohesion.
How to get the most out of it
- Balance the flowing melodies between sections carefully; when a line passes from woodwinds to brass, ensure the receiving section enters at matching dynamic and tone quality so the listener perceives one continuous phrase.
- Shape dynamics with intention around the harmonic progression rather than making sudden shifts. The gradual swells and releases will reveal the gentle architecture Sterk built into the score.
- Sit back on eighth-note rhythms and resist rushing through the flowing passages. These melodies are meant to shimmer and settle, not move briskly.
How to use it
Program this after something more energetic to give audiences a moment of reflection and your ensemble a chance to showcase control and blend. It also pairs well with a contrasting spring or thaw-themed piece later in the same concert, creating a seasonal narrative arc.
Skills your students will build
- Sustaining lyrical phrasing across multiple measures without losing line direction
- Balancing independent melodic lines between sections
- Responding to subtle dynamic shaping and harmonic transitions
- Blending sustained tones across the ensemble
- Performing with expressive restraint (allowing the music to speak rather than over-interpreting)