Snow Is Falling: String Orchestra Conductor Score & Parts
By Robert Buckley
Grade: 1
Item: 35-PK00391207
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Snow Is Falling - Conductor Score (Full Score) | $7.50 | |
| Snow Is Falling - Violin 1 | $7.00 | |
| Snow Is Falling - Violin 2 | $7.00 | |
| Snow Is Falling - Violin 3 (Viola Treble Clef) | $7.00 | |
| Snow Is Falling - Viola | $7.00 | |
| Snow Is Falling - Cello | $7.00 | |
| Snow Is Falling - Bass | $7.00 | |
| Snow Is Falling - Piano | $7.00 | |
| Snow Is Falling - Percussion | $7.00 |
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Why we love this
Buckley's arrangement honors the gentle character of the original Japanese melody while keeping the writing accessible enough for early string groups. The orchestration gives each section a moment to contribute without overwhelming players still building confidence, making this an ideal choice for winter concerts where you need something that sounds elegant but feels achievable.
What to expect
Quiet, contemplative, and touched with a hint of melancholy. The piece captures the stillness of falling snow with gentle pizzicato moments and sustained tones that ask players to listen to their section blend.
Who it's for
String directors building a winter concert program for ensembles in their first or second year. This piece works well for mixed-ability groups because the core melody is straightforward, yet the arrangement offers enough voice independence to keep more advanced players engaged.
How to get the most out of it
- Shape the melody line with purposeful vibrato in the violins; even at Grade 1, the folk song's simplicity rewards singing tone over technical precision.
- Balance the accompaniment figures so they support rather than compete with the main tune. Cello and bass parts carry harmonic weight here, so give them clear dynamic shape.
- Take the 1:45 duration seriously. Resist the urge to rush; folk songs benefit from breath and space between phrases.
- Listen for any divisi passages and ensure both parts are equally confident. Weak divisis sound thin; strong ones sound rich.
How to use it
Pair this with other folk arrangements or seasonal repertoire to create a thoughtful middle section in your concert. At just under two minutes, it fits nicely as a palate-cleanser between flashier pieces, or use it to open a set that explores music from different cultures.
Skills your students will build
- Sustaining long tones with consistent tone quality
- Balancing melody and accompaniment textures
- Reading and executing simple divisi passages
- Responsive dynamic control in soft dynamics
- Ensemble listening across all four string parts