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Sneaking on the Housetops: Flexible Band/String Ensemble Score & Parts

$45.00 USD
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Sneaking on the Housetops Cover Image

Sneaking on the Housetops: Flexible Band/String Ensemble Score & Parts

By Ryan Meeboer

Grade: 0.5

Item: 81-FB22035

$45.00
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Description
Eighth Note Publications Flexible Band/String Series provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass, or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation.

Have you ever wondered how Santa can get around everyone's house without making a sound? This arrangement of "Up on the Housetop" by Ryan Meeboer is a musical depiction of what it would sound like if Santa was caught sneaking around. Every instrument gets an opportunity to shine in this piece, either by playing the melody or getting short solis.

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Additional Details
Series: Eighth Note Publications Flexible Band Series
Publisher: Eighth Note Publications
SKU: 81-FB22035

More about this title

Why we love this

Ryan Meeboer's arrangement solves the real scheduling problem of winter concerts: you need holiday material that works whether you have 5 players or 20, and whether they showed up today or not. Every instrument actually gets to lead, not just the first flutes, which means your second-chair players stay engaged and your mixed ensembles don't feel like second-class citizens. The sneaking Santa concept gives the piece narrative stakes beyond generic holiday cheer.

What to expect

Mischievous and playful, with the musical equivalent of tiptoeing through a darkened house. You can almost hear Santa's surprise when a floorboard creaks, and the piece captures that split-second panic before the rush to finish deliveries.

Who it's for

Bands and string ensembles juggling incomplete instrumentation or sessions where attendance is unpredictable. Music camps, district contests, and any director managing multiple ensemble levels or mixed student-staff groups will find this genuinely useful rather than limiting.

How to get the most out of it

  • Emphasize the stealthiness in the opening. Lighter articulation and a relaxed tempo create the creeping quality before things get discovered.
  • Balance solo passages carefully so featured instruments cut through without overwhelming. Because every player gets a moment, none should dominate.
  • Let the comedic energy build when Santa gets caught. The contrast between sneaky and chaotic makes the payoff land.

How to use it

Winter concert openers work well here since the sneaking concept draws immediate attention and the brief runtime leaves room for larger works. It also pairs naturally with other holiday selections without feeling redundant, and the flexibility means you can assign it to whichever ensemble has the instrumentation ready that week.

Skills your students will build

  • Balancing solo and ensemble passages within a single piece
  • Playing stealthily with controlled dynamics and articulation
  • Adapting part assignments based on available instrumentation
  • Maintaining ensemble cohesion across non-traditional instrument combinations

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