Smoke on the Water: String Orchestra Conductor Score & Parts
As performed by Deep Purple / Arranged by Larry Moore
Grade: 3-4
Item: 35-PK00096460
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Smoke on the Water - Full Score | $6.00 | |
| Smoke on the Water - Violin 1 | $7.00 | |
| Smoke on the Water - Violin 2 | $7.00 | |
| Smoke on the Water - Violin 3 (Viola Treble Clef) | $7.00 | |
| Smoke on the Water - Viola | $7.00 | |
| Smoke on the Water - Cello | $7.00 | |
| Smoke on the Water - Bass | $7.00 | |
| Smoke on the Water - Guitar | $7.00 | |
| Smoke on the Water - Piano | $7.00 | |
| Smoke on the Water - Percussion | $7.00 |
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More about this title
About the Artist: Deep Purple
Deep Purple emerged from England in the late 1960s as pioneers of heavy metal and hard rock, pushing the boundaries of what rock music could accomplish with orchestral instrumentation and virtuosic playing. Their 1972 album "Machine Head" became a watershed moment in rock history, establishing sonic templates that countless bands would follow. The band's influence extends far beyond their era, with their catalog remaining a staple of classic rock radio and a touchstone for musicians exploring the intersection of complex arrangements and raw, unfiltered energy.
Why we love this
Students encounter this iconic riff and immediately recognize it, which creates genuine enthusiasm for the arrangement before rehearsals even begin. Larry Moore's orchestration respects the original's guitar-driven aggression while writing idiomatically for strings, and the optional electric guitar part gives you flexibility to feature an enthusiastic faculty member or advanced student.
What to expect
Heavy, propulsive, and defiant. The arrangement maintains the original's swagger while the string colors add density and sophistication; it sounds heavier than it should coming from violins and cellos alone.
Who it's for
String orchestras at grades 3 and above who want repertoire that energizes students without requiring advanced technical facility. Teachers seeking a crowd-pleasing concert opener or closer that still demands musicality and ensemble discipline.
How to get the most out of it
- Lock the rhythm section (cellos and basses) to the click track during early rehearsals; the relentless drive of this piece depends on rhythmic precision, not rubato
- Balance the melody line between first and second violins carefully so the iconic hook cuts through without the accompaniment figures disappearing
- Stage the optional guitar soloist prominently; even if your guest is sight-reading, the novelty of live electric guitar alongside strings electrifies an audience
How to use it
Schedule this as your spring concert anchor or an unexpected pops program highlight that catches audiences off guard in the best way. Pair it with more traditional repertoire to demonstrate your students' range, or build an entire rock-themed concert around it.
Skills your students will build
- Driving steady eighth-note rhythm patterns in varied accompanimental roles
- Playing with rhythmic urgency and forward momentum without sacrificing intonation
- Balancing volume and clarity in a dense, heavily orchestrated texture
- Executing clean articulation on fast rock-style passages