Smoke Gets In Your Eyes (arr. Kirby Shaw) Sheet Music Preview

Smoke Gets In Your Eyes (arr. Kirby Shaw): SSA Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00263178

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00263178

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw holds degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington. His reputation extends across North America, Europe, and beyond, where he has conducted clinics and masterclasses in over 45 states and a dozen countries. Shaw founded and directed the acclaimed COS Vocal Jazz Ensemble at College of the Siskiyous in California before leading similar programs at Colorado State University and the University of Missouri at Kansas City. He now directs the Jefferson State Choral Coalition at Southern Oregon University.

With over 2500 choral arrangements and compositions in print and nearly 20 million copies sold worldwide, Shaw has established himself as one of the most prolific voices in choral music. His work has earned multiple ASCAP awards and recently drew a commission from the Mormon Tabernacle Choir. Beyond his compositional output, Shaw has collaborated with vocal masters including Bobby McFerrin, Al Jarreau, and Jon Hendricks, and performs as a member of Just 4 Kicks, a jazz-focused a cappella quartet. His teaching approach combines deep musical knowledge with infectious humor and creative energy.

Why we love this

Shaw's arrangement captures the jazz sensibility and emotional warmth of this standard while keeping the part writing accessible for SSA ensembles. The voicing balances sophistication with singability, allowing singers to focus on the lyrical beauty and storytelling rather than technical struggle. Programming a Kirby Shaw arrangement guarantees musicians will encounter thoughtful part writing and a style rooted in his deep jazz background.

What to expect

This arrangement wraps the classic standard in warm, swaying harmonies that evoke an intimate jazz club or a quiet moment of reflection. The music floats with the ease of smoke itself, drifting through sophisticated chord changes while maintaining a conversational, almost nostalgic quality.

Who it's for

Choirs seeking a sophisticated yet approachable jazz standard arrangement will find this perfect for concert programs, pops settings, or occasions calling for timeless elegance. SSA ensembles of intermediate ability and above can tackle the voicing confidently while still discovering layers of artistry in rehearsal.

How to get the most out of it

  • Shape the phrase around the lyrical content rather than the bar line. This song lives in the space between the words and the melody, so encourage singers to breathe naturally and follow the emotional arc of the text.
  • Balance warmth in the harmony with clarity on the melody line. The SSA voicing works best when the sopranos sit slightly forward without overwhelming the harmonic foundation underneath.
  • Explore the use of space and silence. Allow moments of rest between phrases to let the jazz harmonies resonate before moving forward.

How to use it

Pair this with other Gershwin-era standards or American songbook material for a dedicated pops concert or cabaret-style program. It also works beautifully as a transition piece between classical repertoire and more contemporary material, offering audiences a bridge into jazz-influenced choral writing.

Skills your students will build

  • Jazz phrasing and swing interpretation
  • Balancing melody with harmonic texture in SSA voicing
  • Singing through jazz chord changes with accurate intonation
  • Lyrical expression and storytelling through text painting

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