Slovenian Folk Songs Cover Image

Slovenian Folk Songs: Concert Band Conductor Score & Parts

$55.00 USD
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Slovenian Folk Songs Cover Image

Slovenian Folk Songs: Concert Band Conductor Score & Parts

Arr. Ralph Ford

Grade: 2 (Easy)

Item: 00-BDM05051

$55.00
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Description
With reminiscent old world folk tunes, this is a work you'll think you've heard before. Traditionally scored to ensure a great sound, the folk songs included are: "Moje Dekle," "The Angelus," and "Slovenski Smo Fantje." Have your listeners dancing in the aisles when you program Slovenian Folk Dances -- old world charm with a dynamic conclusion. (3:40)

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 372
UPC: 654979095460
SKU: 00-BDM05051

More about this title

About the Arranger: Ralph Ford

Ralph Ford

Ralph Ford has spent nearly three decades teaching music at the university level while simultaneously building one of the most prolific arranging careers in American wind music. His professional arc spans from his teenage years as an arranger in Panama City, Florida, through his tenure as director of jazz ensemble and faculty arranger at Troy State University, to his current role as exclusive composer and arranger for the Belwin division of Alfred Music in Los Angeles. Over 250 of his titles have been published for orchestras, concert bands, jazz ensembles, and marching bands, performed by university, military, professional, community, and school groups worldwide.

Beyond the concert hall, Ford has contributed to broadcast and media industries through commercial jingles, television and radio production work, live musical theater conducting, and digital content creation. His versatility across composition, arrangement, orchestration, and conducting reflects a musician equally comfortable in the academic classroom and the professional studio.

Why we love this

Ford captures the authenticity of Slovenian melodies while keeping the arrangement transparent and playable for developing musicians. The traditional voicing lets each section shine without drowning in unnecessary complexity, and the dynamic conclusion actually justifies the "old world charm" promise in a way that feels earned rather than forced.

What to expect

Nostalgic and grounded, like stepping into a village square where these melodies have been sung for generations. Ford's traditional scoring preserves the folk character while the orchestral textures add gentle color, building to an energetic finish that invites audiences to forget they're sitting still.

Who it's for

Bands at the Grade 2 level looking for accessible, audience-friendly repertoire that doesn't sacrifice musicality. This arrangement works equally well for younger high school groups, strong middle school ensembles, or community bands seeking genuine multicultural content without stepping into the Grade 3 difficulty range.

How to get the most out of it

  • Bring out the melody line in whichever section carries it at any given moment; these folk tunes thrive on clarity and singability, so balance the band around that primary voice rather than blending it into thick chords.
  • Pay attention to phrasing cues from the folk song origins. These tunes weren't written for breath marks in conventional places, so allow natural rests and slight holds to shape the line the way a folk singer would.
  • Build energy gradually toward the dynamic conclusion rather than holding back until the final section; the piece works best when audiences feel the momentum building across all three songs.
  • Let the characteristic rhythms and articulations of each tune establish their own identity. "Moje Dekle," "The Angelus," and "Slovenski Smo Fantje" each have distinct personalities that shouldn't blur together.

How to use it

Program this as a concert opener or early-program piece to establish a multicultural identity for your concert, or pair it with other European folk arrangements to create a thematic set. The 3:40 duration and Grade 2 difficulty also make it a solid choice for spring concerts, cultural celebration events, or programs featuring student-friendly works alongside more demanding repertoire.

Skills your students will build

  • Melodic transparency and voice leading in folk-derived writing
  • Balance and blend across sections with a clear principal line
  • Articulation and rhythmic character specific to three distinct folk songs
  • Phrasing shaped by vocal origins rather than strict metric division
  • Dynamic shaping across a longer arc without sudden contrasts

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