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Slip and Slide: String Orchestra Conductor Score

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Slip and Slide: String Orchestra Conductor Score

By Allison Buettner

Grade: 1

Item: 36-50255164

$8.00
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Description
Teachers will find this a fun and easy way to teach glissandi to your young players and prepare them for shifting. Pitch bends are also used, to mimic techniques in bluegrass fiddling. There is no worry if players don't quite make the pitch at the end of the slides, as that pitch is considered approximate. Brief double-stop and pizzicato passages give the piece color and variety.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106940-5
ISBN13: 978-1-58-106940-2
UPC: 660355197697
SKU: 36-50255164
Instrumentation: String Orchestra

More about this title

Why we love this

Buettner has crafted a piece that makes glissandi feel playful rather than intimidating, giving young string players permission to explore shifting in a musical context where approximate pitch is part of the design. The bluegrass-inspired pitch bends bring contemporary color to a foundational technical concept, and the strategic use of double stops and pizzicato keeps the sound fresh across a short, focused piece.

What to expect

Playful and bluegrass-tinged, with moments of lyrical warmth in the sliding passages. The piece moves with ease and humor, celebrating the slightly imperfect beauty of young string players discovering new technical territory.

Who it's for

Young string orchestras at the beginning of their second year of study who are ready to explore shifting and vibrato-adjacent techniques. This piece works well for conductors introducing glissandi as a standard expressive tool rather than a special effect.

How to get the most out of it

  • Discuss glissandi and pitch bends as sliding sounds, not failed attempts at accuracy. Let players hear the sound quality of the slide itself before worrying about landing notes.
  • Encourage violins and violas to shift smoothly through the glissandi passages without rushing. A slightly slower tempo in these sections helps students feel the motion between registers.
  • Balance the pizzicato sections clearly against bowed passages so the rhythmic definition comes through without overwhelming the overall color.
  • Use the approximate pitch marking to reduce anxiety. This communicates that the journey of the slide matters more than the destination.

How to use it

Pair this with more lyrical or rhythmically structured Grade 1-2 pieces to show the range of expression available to early-level string orchestras. It works especially well as a concert opener or mid-program lighter moment that still demonstrates genuine musical growth.

Skills your students will build

  • Executing glissandi with control and musical intention
  • Shifting between first and higher positions smoothly
  • Pitch bending and vibrato-adjacent expressive techniques
  • Double-stop intonation and fingering
  • Articulation clarity in pizzicato passages
  • Understanding approximate pitch as a compositional choice

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