Slightly Out Of Tune (Desafinado) Sheet Music Preview

Slightly Out Of Tune (Desafinado): E-Z Play Today

Item: 35-DS01080231

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$4.99
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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS01080231

More about this title

About the Creator: Antonio Carlos Jobim

Antonio Carlos Jobim stands as one of the most important composers in Brazilian music history. His work during the 1950s and 1960s established the bossa nova style, a fusion of samba rhythms with sophisticated jazz harmonies that would reshape popular music worldwide.

Jobim's gift was for melody. He could write a tune that felt inevitable once you heard it, yet surprised you with unexpected harmonic turns and chromatic movement. "Desafinado" ("Slightly Out of Tune") exemplifies this mastery. Released in 1958, it became a standard that musicians across genres have embraced for decades.

Why we love this

The E-Z Play edition strips away unnecessary complexity while preserving the harmonic sophistication that makes this tune endure. Students get a genuine bossa nova experience without getting lost in dense voicings, meaning they can actually hear and feel the rhythmic groove that defines the style.

What to expect

Relaxed and urbane. The melody moves with ease, sometimes stepping into unexpected harmonic spaces, while the underlying rhythm keeps everything grounded in a subtle forward motion. It's music that sounds effortless to play but requires precision in execution.

Who it's for

Pianists ready to move beyond strictly classical repertoire and explore jazz and Latin standards. The E-Z Play format works especially well for intermediate players who understand chord symbols and want to build fluency with real jazz vocabulary without transcription work.

How to get the most out of it

  • Anchor the rhythmic feel in the clave pattern rather than treating the melody as the main event. The groove underneath matters as much as the tune itself.
  • Let the syncopations breathe. Resist rushing through the offbeat figures; they're what give bossa nova its sophisticated air.
  • Voice the left hand lightly enough that the right hand melody stays in focus, but with enough presence that the harmonic foundation is felt.

How to use it

Place this on a jazz or world music concert alongside other Latin standards to give your audience a taste of bossa nova's enduring appeal. It also works beautifully as a solo piano piece in a coffeehouse or informal recital setting where the intimate character of the arrangement can shine.

Skills your students will build

  • Reading and executing rhythmic anticipations and syncopations
  • Understanding bossa nova feel and clave-based accompaniment patterns
  • Interpreting jazz chord symbols and common voicing conventions
  • Balancing melody and accompaniment in a stylistically authentic way

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