Sleeping Beauty Waltz Cover Image

Sleeping Beauty Waltz: Conductor Score

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Sleeping Beauty Waltz Cover Image

Sleeping Beauty Waltz: Conductor Score

By Peter Ilyitch Tchaikovsky / arr. Lynne Latham

Grade: 2

Item: 36-50255150

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Description
Presented here in the original key of B flat, the waltz has the melody divided among violoncello, viola, and violin 2. For the dramatic ending, violin 1 ventures stepwise into third position for the final statement of the melody. Teaching hemiola is an absolute must, and all parts have hooked bowings that require some attention.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296832-4
ISBN13: 978-1-68-296832-1
UPC: 660355126536
SKU: 36-50255150
Instrumentation: Developing Strings

More about this title

About the Composer: Peter Tchaikovsky

Peter Ilyich Tchaikovsky (1840-1893) stands as one of the most performed composers in the orchestral canon, celebrated for his gift for memorable melody and dramatic orchestration. His ballets—Swan Lake, The Nutcracker, and Sleeping Beauty among them—remain cornerstones of classical dance and continue to inspire musicians across all levels. Tchaikovsky's ability to write music that is both emotionally direct and technically sophisticated makes his work invaluable for string educators seeking repertoire that engages students while building serious musical skills.

Why we love this

This arrangement captures the elegance of Tchaikovsky's waltz while making genuine technical demands on a developing ensemble. The distributed melody across three parts creates natural independence and balance work, and the hemiola passages offer a meaningful teaching moment that moves beyond simple rhythm reading. The final statement in third position rewards careful intonation practice and gives students a tangible reason to learn and maintain secure left-hand positions.

What to expect

The waltz moves with aristocratic grace, its stepwise melody singing elegantly across the ensemble. When the final statement arrives with violin 1 reaching into third position, the moment feels both intimate and triumphant, rewarding the focused work that brought it into place.

Who it's for

Developing string orchestras at the Grade 2 level will find this piece within reach while encountering genuine challenges. This conductor score serves directors who are ready to introduce students to position work and metric complexity through repertoire that sounds polished and feels rewarding to perform.

How to get the most out of it

  • Establish the hemiola clearly in rehearsal by having students count or tap the underlying pulse while playing the syncopated rhythm. This dual awareness prevents the phrase from feeling rushed or disorienting.
  • Address the hooked bowings section by section, isolating the articulation pattern until it becomes automatic. Film or record rehearsals to let students hear how the hooks change the character of the line.
  • Assign the third-position passage in violin 1 to a small group of confident players first, allowing them to anchor intonation for the full section before adding ensemble sound.

How to use it

This works beautifully as a mid-season showpiece for a developing strings concert, particularly if you are building toward more complex Tchaikovsky repertoire. It also pairs well with simpler dances or folk-inspired pieces, allowing the audience to experience both the technical growth your students have made and the emotional directness that makes Tchaikovsky so accessible.

Skills your students will build

  • Reading and executing hemiola against a steady pulse
  • Hooked bowings and deliberate bow articulation
  • Shifting into third position with secure intonation
  • Sharing melodic responsibility across multiple voices while maintaining ensemble balance
  • Stylistic interpretation of Romantic waltz character

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