Sleeping Beauty, The, Op. 66 (complete) Cover Image

Sleeping Beauty, The, Op. 66 (complete): Full Orchestra, Full Score

$400.00 USD
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Sleeping Beauty, The, Op. 66 (complete) Cover Image

Sleeping Beauty, The, Op. 66 (complete): Full Orchestra, Full Score

By Peter Ilyitch Tchaikovsky, Carl Simpson

Item: 36-A218401

$400.00
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Description
THE SLEEPING BEAUTY, Op. 66, was written by Peter Ilyitch Tchaikovsky (1840-1893) between 1888 and 1889. Based on a libretto by Ivan Vsevolozhsky, the well-known story borrows from versions by both the Grimm brothers and Charles Perrault, though characters such as the Lilac Fairy appear to have been additions by Vsevolozhsky himself. The work premiered on January 15, 1890, in St. Petersburg at the Mariinsky Theatre, fellow ballet composer Riccardo Drigo conducting and choreography by the famed Marius Petipa. This newly engraved edition by Carl Simpson places a greater emphasis upon the first edition of the full score from 1890 than the subsequent Soviet edition issued by Muzgiz in 1952, but all variants have been preserved and placed within the score itself so that performers can easily make their own choice of which version is to be used for a particular movement. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3-4): Pno.Hp: Str (4.4.3.3.3 in set).

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Additional Details
Series: Kalmus Ballet Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563078-5
ISBN13: 979-8-89-563078-5
UPC: 660355012525
SKU: 36-A218401
Instrumentation: 2+Picc.2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc(3-4): Pno.Hp: Str (4.4.3.3.3 in set)

More about this title

About the Composer: Peter Tchaikovsky

Peter Ilyitch Tchaikovsky (1840-1893) was a Russian composer whose works bridged Romantic nationalism and Western European traditions. His three ballet scores—Swan Lake, The Sleeping Beauty, and The Nutcracker—remain cornerstones of the orchestral repertoire and set the standard for ballet composition worldwide.

Tchaikovsky's genius lay in his ability to write memorable melodies that serve both dramatic storytelling and pure musical architecture. The Sleeping Beauty, commissioned by the Imperial Ballet and premiered under the direction of choreographer Marius Petipa, represents the apex of his ballet writing, showcasing his mastery of orchestration, harmonic innovation, and character development through instrumental color.

Why we love this

This newly engraved edition honors Tchaikovsky's original 1890 score while preserving variant readings from later editions, giving conductors authentic choices for how to shape individual movements. The orchestration is endlessly instructive: every section of the orchestra receives genuinely important musical material, making this an exceptional study in how to write for a full Romantic ensemble with clarity and purpose. Programming the complete ballet score allows an orchestra to demonstrate technical command, stylistic sophistication, and narrative coherence across an evening-length work.

What to expect

The Sleeping Beauty unfolds with ceremonial grandeur, delicate lyricism, and moments of dark menace. From the grand entrances and stately court dances to the intimate character variations and the apotheotic final scenes, the score moves through a rich palette of orchestral color—lyrical oboe lines, brilliant trumpet passages, gossamer woodwind interplay, and surging string climaxes that feel both romantic and architecturally sound.

Who it's for

This work is designed for advanced amateur and professional orchestras with sufficient string depth and woodwind section strength. Conductors preparing a complete ballet score or a substantial selection of movements will find this engraving invaluable for its clarity and editorial apparatus.

How to get the most out of it

  • Balance the independent woodwind solos against the string fabric; Tchaikovsky writes exposed passages that demand clean articulation and tonal refinement from each section.
  • Coordinate carefully with the harp and piano parts, which provide harmonic foundation and rhythmic precision rather than soloistic color; they anchor ensemble cohesion.
  • Study the score's character dances and variations as distinct orchestral personalities; each requires a different approach to tempo, articulation, and ensemble weight.
  • Mark cues across all parts for the major structural points (processions, waltzes, divertissements) so that tempos and character transitions land together.

How to use it

Concert the complete ballet score as a major season event that showcases orchestral breadth and maturity, or select individual suites (the prologue, act one, or divertissements) for concert performance. This edition's editorial flexibility allows programs to scale the work to specific ensemble capabilities while maintaining musical integrity.

Skills your students will build

  • Balancing exposed woodwind solos within ensemble texture
  • Coordinating rubato and character shifts across multiple simultaneous melodic lines
  • Executing clear ensemble articulation in rapid passages and rhythmic unisons
  • Understanding how to weight and voice large orchestral textures across four octaves of strings
  • Interpreting 19th-century harmonic language and voice-leading conventions

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