Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition Cover Image

Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition: Full Orchestra, Ensemble Works

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Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition Cover Image
Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition: Full Orchestra, Ensemble Works

Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition: Full Orchestra, Ensemble Works

By Antonín Dvorák / arr. Otakar Sourek

Item: 36-A717802
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Slavonic Dances Op. 72/B. 147, Nos. 5-8, critical edition: Full Orchestra, Ensemble Works

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Description
Two series of Slavonic Dances, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher's introduction to Dvorák's Moravian Duets by Johannes Brahms. Understanding the national characteristics and talent of the hitherto unkown Czech composer, Simrock suggested he create a series of "Slavonic Dances" in a style similar to that which had recently proved so successful in the base of Brahms' Hungarian Dances. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the second series of eight (Opus 72) for piano duet, often also orchestrating them while still composing. Considered one of the most personal, nationally most characteristic, and most famous of Dvorák's works, this critical edition of Op. 72, Nos. 5-8, edited by Otakar Šourek was based on original sources. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Critical Editions
Publisher: Keiser Productions, Inc.
UPC: 735816325145
SKU: 36-A717802
Instrumentation: Detailed Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set)

More about this title

About the Composer: Antonín Dvorák

Antonín Dvorák (1841–1904) stands as one of the most significant nationalist composers of the 19th century, bringing Czech musical identity to international prominence during an era when his homeland lacked political independence. Largely self-taught in composition, Dvorák rose from obscurity to worldwide recognition, earning the support of Brahms and establishing himself as a major symphonic voice while remaining deeply rooted in the folk traditions and rhythmic character of his native Bohemia and Moravia.

Why we love this

These dances showcase Dvorák's gift for orchestration at its most direct and satisfying. The pieces demand ensemble cohesion without overwhelming technical demands on individual players, making them ideal for orchestras that want genuine masterwork repertoire with room to grow musically without drowning in complexity.

What to expect

These dances pulse with the joy and dignity of Slavonic celebration. Dvorák animates simple rhythmic patterns with orchestral color and melodic warmth, creating music that feels both intimate and grand, rooted in folk tradition yet refined for the concert hall.

Who it's for

This critical edition serves orchestras at the intermediate to advanced level seeking repertoire with genuine historical weight and national significance. Conductors building a concert around European nationalism or nineteenth-century orchestral mastery will find these four dances accessible entry points to Dvorák's orchestral voice.

How to get the most out of it

  • Shape the folk-like melodies with a singing quality even in the faster dances; these rhythms are rooted in movement and celebration, not mechanical precision.
  • Balance the brass and woodwind sections carefully in the tuttis to preserve clarity of line, especially when multiple sections carry thematic material simultaneously.
  • Bring out the percussion colors (timpani rolls, triangle, cymbals) as textural elements that drive the national character rather than mere accompaniment.
  • Coordinate string and wind attacks precisely in the rhythmic motifs that define each dance's character; looseness here undermines the pieces' idiomatic strength.

How to use it

Use these pieces to frame a thematic concert on nationalism, Czech identity, or the dialogue between folk tradition and symphonic form. Four numbers allow you to program them as a suite or extract individual movements as contrasting neighbors to heavier or more abstract works.

Skills your students will build

  • Balancing ensemble blend across mixed instrumental colors
  • Sustaining rhythmic vitality through repeated folk-derived patterns
  • Coordinating independent melodic lines across sections while maintaining textural clarity
  • Shaping nationalistic character through articulation and phrasing rather than tempo changes
  • Reading Dvorák's orchestration voice as a model for coloristic orchestral writing

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