Slavonic Dances Op. 46/B. 83: Nos. 5-8 Cover Image

Slavonic Dances Op. 46/B. 83: Nos. 5-8: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

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Slavonic Dances Op. 46/B. 83: Nos. 5-8 Cover Image
Slavonic Dances Op. 46/B. 83: Nos. 5-8: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

Slavonic Dances Op. 46/B. 83: Nos. 5-8: Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

By Antonin Dvorak

Item: 36-A142102
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Slavonic Dances Op. 46/B. 83: Nos. 5-8: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

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Description
Two series of SLAVONIC DANCES, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher's introduction to Dvorák's "Moravian Duets" by Johannes Brahms. Understanding the national characteristics and talent of the hitherto unknown Czech composer, Simrock suggested he create a series of SLAVONIC DANCES in a style similar to that which had recently proved so successful in the base of Brahms' HUNGARIAN DANCES. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the first series of eight (Opus 46) for piano duet, often also orchestrating them while still composing. The works are now considered one of the most personal, nationally most characteristic, and most famous of Dvorák's works. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(3-4): Str(9.8.7.6.5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 605258872890
SKU: 36-A142102
Instrumentation: 2+1(Picc).2.2.2: 4.2.3.0: Timp.Perc(3-4): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Antonin Dvorak

Antonín Dvořák (1841, 1904) stands as the first Czech composer to achieve international prominence, bringing the musical language of his homeland into concert halls across Europe and America. His gift for melody and orchestration, combined with an instinctive understanding of national character, made him a bridge between Romantic tradition and distinctly regional expression. As a teacher and mentor, Dvořák shaped generations of American composers during his years in New York, but his own legacy rests most firmly on works that capture the spirit of Bohemian and Moravian folk traditions.

The Slavonic Dances emerged early in his career as the work that secured his international reputation. Written at the suggestion of his publisher following Brahms' endorsement of his earlier chamber works, these pieces demonstrated that nationalist music could compete with, and outsell, established European masters. For conductors and students, the Dances remain a masterclass in orchestration, rhythmic vitality, and the art of turning characteristic dance rhythms into symphonic statements.

Why we love this

These dances showcase Dvořák at his most direct and accessible, combining orchestral brilliance with infectious rhythmic energy that never feels forced. Programming them opens doors to serious music history (Brahms and folk nationalism) while guaranteeing audience engagement, and the careful orchestration rewards every section without requiring virtuosity beyond reach. The conductor gains immediate control over a score that balances clarity with color, making it ideal for ensemble development without sacrificing musical substance.

What to expect

Exuberant and dance-driven, with sudden shifts between lyrical warmth and pointed rhythmic swagger. The orchestration glows with the colors of woodwind solos and brass punctuation set against rippling string textures, creating music that feels both rooted in folk character and thoroughly composed.

Who it's for

Conductors seeking repertoire that combines genuine artistic depth with reliable ensemble coherence, and orchestras ready to tackle colorful, rhythmically precise music that connects with listeners immediately. These numbers suit orchestras that have moved beyond purely pedagogical repertoire but may not yet have tackled the most demanding 19th-century symphonic works.

How to get the most out of it

  • Honor the rhythmic profiles that define each dance rather than smoothing them into generic meter. Dvořák uses syncopation and unexpected phrase lengths as the core of the Slavonic character.
  • Balance the string section carefully during solo passages in the woodwinds and brass. The orchestration often places primary material in upper voices against sustained or countermelodic string texture.
  • Bring out the percussion articulations sharply without letting them dominate. Timpani and triangle strokes mark structural points and rhythmic detail rather than mere accompaniment.
  • Shape longer sections with attention to harmonic progression rather than breaking phrasing at every dynamic change. The dances sustain drama through harmonic momentum over several measures.

How to use it

Slot these dances into a concert celebrating national schools of composition, or use them as a bridge between lighter opening works and weightier symphonic fare. Their modest duration (relative to a full suite) makes them ideal as an engaging encore or centerpiece alongside complementary works from the Romantic era.

Skills your students will build

  • Reading and executing characteristic Slavonic rhythmic patterns (syncopation, hemiola)
  • Balancing orchestral texture when primary material moves between sections
  • Playing dance forms with precision while maintaining lyrical shape
  • Responding to rapid dynamic and color shifts within coordinated ensemble sound
  • Interpreting folk-influenced writing through a composed, sophisticated lens

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