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Slavonic Dances, Op. 46/B. 83: No. 8 in G minor (Furiant): Salon/ Theater Orchestra, Ensemble Works Condensed Score

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Slavonic Dances, Op. 46/B. 83: No. 8 in G minor (Furiant) Cover Image
Slavonic Dances, Op. 46/B. 83: No. 8 in G minor (Furiant): Salon/ Theater Orchestra, Ensemble Works Condensed Score

Slavonic Dances, Op. 46/B. 83: No. 8 in G minor (Furiant): Salon/ Theater Orchestra, Ensemble Works Condensed Score

By Antonin Dvorak, ed./arr. by Bohuslav Leopold

Item: 36-A714199
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Slavonic Dances, Op. 46/B. 83: No. 8 in G minor (Furiant): Salon/ Theater Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

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Description
Two series of Slavonic Dances, each consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea for the dances was suggested by the publisher N. Simrock, who had been introduced to Dvorák's Moravian Duets through Johannes Brahms. Recognizing the national character and remarkable talent of the then little-known Czech composer, Simrock suggested he create a series of Slavonic Dances in a style similar to that which had recently proved so successful in the base of Brahms' Hungarian Dances. Rather than using actual folk melodies, Dvorák drew on authentic Slavonic rhythms and dance types, creating original themes that capture the energy, lyricism, and cultural identity of his homeland. The first set, Op. 46, composed in 1878 for piano duet and later orchestrated by the composer, quickly became one of his most popular works. Slavonic Dance Op. 46, No. 8, a lively furiant a fast, fiery Czech dance marked by shifting accents, stands among the most exuberant and nationally characteristic pieces in the set. Czech composer and violin virtuoso Bohuslav Leopold (1888-1956) later arranged several of the Slavonic Dances for small theater orchestra, including this vivid and rhythmically charged arrangement of Op. 46, No. 8. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(3): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set (winds cross-cued for perf by smaller orchs). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810600-9
ISBN13: 979-889-810-6003
UPC: 605258864178
SKU: 36-A714199
Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(3): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set (winds cross-cued for perf by smaller orchs)

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About the Composer: Antonin Dvorak

Antonín Dvořák (1841, 1904) ranks among the most significant composers of the nineteenth century and remains a cornerstone of the orchestral repertoire. Born in Bohemia during a period of Czech national awakening, he channeled the rhythms, melodies, and spirit of his homeland into works that achieved international acclaim without sacrificing their regional character. His gift lay in creating music that felt both authentically rooted and universally appealing, a balance that made him one of the few Central European composers to rival Brahms in the concert hall during his lifetime.

Dvořák's orchestral works span from intimate chamber textures to grand symphonic canvases, and his ability to write idiomatically for instruments, whether strings, winds, or percussion, set a standard for orchestration that teachers and conductors still study. The Slavonic Dances represent this versatility: originally conceived for piano duet, they became orchestral showpieces that reveal his mastery of color, rhythm, and national style without relying on direct quotation from folk sources.

Why we love this

The furiant is one of the most rhythmically infectious of all the Slavonic Dances, and Leopold's arrangement captures its fiery character with brilliant orchestral color. A director can program this confidently knowing the audience will respond to its energy and cultural authenticity, and it pairs beautifully alongside other works from the nineteenth-century nationalist school or as a concert opener that commands immediate attention.

What to expect

Bright, propulsive, and full of wit. The furiant dances with an unpredictable rhythm that keeps the listener leaning forward, driven by syncopation and sudden shifts in accent that feel both playful and urgent. Leopold's orchestration keeps the texture transparent and lively, never allowing the energy to sag.

Who it's for

Community and school orchestras seeking accessible Dvořák that doesn't require a large instrumentation (winds are cross-cued for smaller ensembles), as well as intermediate to advanced high school and university orchestras. Conductors programming nationalism-era repertoire will find this a natural fit that feels substantial yet returns quick success in rehearsal.

How to get the most out of it

  • Keep the shifting accents crisp and deliberate; the furiant's character depends on those rhythmic surprises landing cleanly rather than blurring into a steady pulse.
  • Balance the string section so that melodic lines sing through even when doubling occurs; Leopold's orchestration often layers themes, and clarity prevents muddiness.
  • Lean into the dance character without overdoing it; this is a concert work, not a ballet, so rhythmic precision matters more than literal dance movement.

How to use it

Open a concert with this to establish an energetic mood, or use it as a palate cleanser between weightier works. It also works well in thematic programming around nineteenth-century European nationalism or as part of a Dvořák survey alongside other orchestral selections.

Skills your students will build

  • Reading and executing shifting rhythmic accents and syncopation characteristic of the furiant
  • Balancing multiple simultaneous melodic lines in a richly scored texture
  • Responding to precise cuing in ensemble while maintaining individual part independence
  • Interpreting Romantic-era dance forms and their cultural musical language

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