Slave To The Rhythm Sheet Music Preview

Slave To The Rhythm: Choral Instrumental Pak

As performed by Michael Jackson / Arranged by Mac Huff

Item: 35-PK00298584

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$30.00

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Description
Released almost five years after his death, and Michael Jackson is still the star attraction! This track from his posthumous album Xscape was performed live at the 2014 Billboard Music Awards with Michael dancing in a holographic image. A dazzling selection for pop and show choirs with fantastic choreographic possibilities!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00298584

More about this title

About the Artist: Michael Jackson

Michael Jackson redefined popular music across five decades, blending funk, soul, and rock with innovations in rhythm, production, and vocal layering that influenced generations of singers and musicians. His technical precision as a performer and his meticulous approach to arrangement set standards that remain relevant in contemporary choral and instrumental music education.

Why we love this

Mac Huff's arrangement captures the infectious syncopation and propulsive groove of the original while giving your singers a vehicle that's genuinely fun to perform. The choreographic potential alone makes this a crowd-pleaser that energizes both ensemble and audience.

What to expect

Rhythmically propulsive and instantly recognizable, this track pulses with the precision and swagger that defined Jackson's catalog. The arrangement maintains the original's infectious groove while opening space for vocal texture and movement.

Who it's for

Pop and show choirs looking for contemporary material with broad appeal and built-in entertainment value. This works equally well for groups with strong dance backgrounds and those adding movement for the first time.

How to get the most out of it

  • Lock into the subdivisions early. The syncopated rhythms demand precision from your rhythm section, so establish the pulse in sectionals before full ensemble rehearsals.
  • Shape the dynamics within phrases rather than hitting walls of sound. Jackson's vocal style thrives on nuance, and your singers should mirror that restraint even at high energy moments.
  • Let the choreography breathe the music. If you're staging movement, ensure the ensemble isn't over-singing during complex choreographic passages.

How to use it

Anchor a pop or variety concert with this showstopper, or position it as an energetic closer that leaves audiences on their feet. It pairs well with other contemporary hits or can stand alone as a statement of your ensemble's versatility.

Skills your students will build

  • Syncopated rhythm reading and execution
  • Sustaining energy and groove across long phrases
  • Coordinating singing with choreographed movement
  • Rhythmic independence within an ensemble texture
  • Contemporary vocal stylization and articulation

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