Skipping Stones: 2-Part Choral Octavo
Words and music by Andy Beck
Item: 00-PO-0001599
Minimum order quantity: 20 copies
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About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 works for singers across all ages and levels. His output spans secular and sacred choral music, children's musicals, and foundational resources like Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Technique. His compositions reach choirs worldwide, evidenced by frequent performances shared across online platforms.
Beyond the page, Beck is an active guest conductor, clinician, and adjudicator who works with honor choirs and all-state ensembles throughout the Southeast and beyond. A tenor himself, he performs with the North Carolina Master Chorale Chamber Choir and brings decades of musical theater experience to his work. His education at Ithaca College and Northwest Missouri State University grounds his commitment to music literacy and choral artistry, values that shape every publication he shepherds at Alfred Music.
Why we love this
Beck's gift for text painting shines here: the patter-like moments feel conversational, while the melodic intervals do real work in capturing the emotional arc of childhood reflection. The alternating echoes and buoyant accompaniment create natural opportunities for two-part singers to feel the shape and weight of the piece without getting lost in harmonic complexity. This is the kind of secular work that directors program because it sticks with singers long after rehearsal ends.
What to expect
Childhood remembered through water and stones, each one skipping forward with purpose. The music captures that moment of quiet determination between play and growing up, with warm melodic phrases that feel both innocent and sincere. The piano bounces underneath like light on water.
Who it's for
Two-part choirs seeking accessible repertoire that moves beyond nursery rhyme simplicity. This works for middle school and early high school singers who are ready to engage with text painting and echo technique, as well as for community and amateur choirs looking for something charming without being saccharine.
How to get the most out of it
- Shape the patter sections with natural speech rhythm; let the text paint the melodic intervals rather than forcing strict time.
- Highlight the echo effects by carefully balancing the two parts so the response feels like it's answering the call, not just repeating it.
- Use the piano accompaniment as a rhythmic anchor during faster passages; the buoyant character relies on clean ensemble pulse.
- Allow flexibility in tempo to honor the reflective moments while maintaining the piece's inherent sense of forward motion.
How to use it
Pair this with other secular octavos in a concert that celebrates the year's growth, or stand it alone as a tender moment between heavier works. The reflective text and accessible voicing make it ideal for a spring concert focused on maturation or resilience.
Skills your students will build
- Text painting through interval choice and melodic shape
- Echo technique and balanced two-part independence
- Patter singing and speech-rhythm integration
- Ensemble listening for call-and-response contexts