Sixteen Songs, Book 2 Cover Image

Sixteen Songs, Book 2: Mixed Voice, High/ Med., Collections, Book

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Sixteen Songs, Book 2 Cover Image

Sixteen Songs, Book 2: Mixed Voice, High/ Med., Collections, Book

By Georges Bizet/ Lyrics by Paul Ferrier, Jules Barbier, Catulle Mendès and Philippe Gille

Item: 36-M347791

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Description
This collection of Georges Bizet's (1838-1875) SIXTEEN SONGS is spread over two books. Book 1 contains songs composed between 1860-1868: La sirène, Ouvre ton cœur, Pourquoi pleurer, Voyage, Aubade, La nuit, Le doute! and Conte. Book 2 contains songs composed between 1872-1868: Aimons, rêvons!, La chanson de la rose, Qui donc t'aimera mieux?, Le gascon, N'oublions pas!, Si vous aimez!, Pastel and L'abandonnée. Lyrics are by Catulle Mendès, Louis Delâtre, Philippe Gille, Paul Ferrier and Jules Barbier.

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Additional Details
Series: Master Vocal Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563288-5
ISBN13: 979-889-563-2888
UPC: 659859319773
SKU: 36-M347791
Instrumentation: Voice and Piano

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) was a French composer whose operatic masterpieces, particularly Carmen, secured his place in the musical canon. Beyond his dramatic works, Bizet wrote a substantial body of vocal music that reveals his gift for melody and harmonic subtlety. His songs showcase the refinement expected of a conservatory-trained composer while remaining deeply singable and emotionally direct.

Why we love this

These songs capture Bizet at his most lyrical, without the theatrical grandeur of his operas. The texts by first-rate librettists give singers genuine poetic material to interpret, and the piano writing is sophisticated enough to keep accompanists engaged without overwhelming the vocal line. This collection spans a crucial decade in Bizet's development, allowing singers to explore how his musical language evolved.

What to expect

These songs feel intimate yet crafted. Bizet's melodies are naturally contoured and memorable, often with gentle rises and falls that give singers beautiful narrative shape. The harmonic language hovers between Romantic convention and subtle innovation, creating a sense of refinement without austerity.

Who it's for

High and medium voice singers seeking French art songs that sit comfortably in the middle repertoire range. Solo recitalists will find material for diverse programming, while choral directors can draw these pieces for mixed voice chamber concerts or as solos within larger programs.

How to get the most out of it

  • Honor the French text; even if your singers aren't native speakers, invest rehearsal time in pronunciation and understanding what each poem says. The emotional specificity of each text should inform phrasing and rubato.
  • Balance the vocal line's prominence against the piano's often-active accompaniment. Bizet rarely doubles the melody, so singers must project with clarity without pushing for volume.
  • Attend to harmonic color shifts, particularly in songs where Bizet uses chromatic voice-leading or modal inflection. These moments deserve slight flexibility in tempo to let the harmony breathe.

How to use it

Pair selections from this book with art songs by Bizet's contemporaries (Gounod, Fauré) for a French Romantic recital. Individual songs work equally well as opening numbers or as part of a mixed vocal chamber concert. The range of texts and moods allows flexible programming around existing concert themes.

Skills your students will build

  • French diction and interpretive awareness in the mélodie tradition
  • Phrasing across Romantic harmonic language with chromatic voice-leading
  • Collaborative listening with piano accompaniment that doesn't double the melody
  • Emotional storytelling through text-setting in shorter forms

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