Six Tone Builders, Set 2: Concert Band Conductor Score & Parts

Conley's second set expands on what made the first one essential by adding chromatic movement that targets specific intonation issues your band actually encounters. Unlike generic tone builders that sit passively in rehearsal, these chorales and arrangements demand real listening from your ensemble and give you concrete material to diagnose balance problems. You get both efficiency and musicality in one resource.

Straightforward and purposeful. The writing avoids unnecessary complexity, letting the chromatic harmony do the pedagogical work while the musical line remains accessible and dignified. There's a quiet dignity in chorales designed this way, where the focus stays on what your ears tell you rather than what your eyes see on the page.

Elementary and middle school band directors who want targeted resources beyond standard warm-up material. Players benefit from structured work on tone production and intonation without the demand of a full concert arrangement. This set works for groups still building fundamental skills and confidence.

• Address one intonation issue per run-through rather than trying to fix everything at once. The chromatic writing makes this approach especially effective since passages are designed to expose particular tendencies.
• Have players sustain the final chord and freeze; this silence lets everyone hear the blend without the distraction of what comes next.
• Rotate which section leads the harmonic foundation so students develop awareness of how weight distribution affects tuning across the full ensemble.
• Ask students to identify where the chromatic movement occurs and predict which intervals might need adjustment before you play through.

Deploy these at the start of rehearsal when ears are fresh and attention is high. Work through one arrangement per week as the backbone of your fundamental development plan; they fit naturally alongside scale work and long tones without taking time away from larger repertoire. Consider rotating through the set across a semester so that your ensemble builds systematic awareness of balance and intonation across multiple harmonic contexts.

• Listening for blend and balance across all instrumental families
• Identifying and correcting common intonation problems through chromatic movement
• Sustaining consistent tone quality over longer passages
• Responding to harmonic context to adjust pitch and tuning
• Reading and performing chorale-style arrangements with attention to vertical alignment