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Six Songs for High Voice: Voice & Piano

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Six Songs for High Voice Cover Image

Six Songs for High Voice: Voice & Piano

By Ned Rorem

Item: 98-EP6373

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Description

Words and music are inextricably linked for Ned Rorem. Time Magazine has called him "the world's best composer of art songs." A winner of the Pulitzer Prize for Music this volume presents a collection of 6 songs for voice and piano. Contents:

  • Pippa's Song (Robert Browning)
  • Cradle Song (16th Century Anonymous)
  • Song for a Girl (John Dryden)
  • Rondelay (John Dryden)
  • In a Gondola (Robert Browning)
  • Song to a Fair Young Lady Going out of Town in the Spring (John Dryden)

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 28
ISBN10: 0-30-071244-8
ISBN13: 979-0-30-071244-4
SKU: 98-EP6373

More about this title

About the Composer: Ned Rorem

Ned Rorem stands as one of America's most prolific and celebrated art song composers, with over 500 songs to his name. His gift for matching music to text is so intuitive that Time Magazine recognized him as the world's best composer of art songs, and his achievements earned him the Pulitzer Prize for Music. His output spans symphonies, operas, and instrumental works, but it's his lieder that define his legacy in American vocal music.

Why we love this

Rorem's gift for setting poetry makes these six songs a masterclass in text-music fusion. Each pairing with these canonical texts from Browning and Dryden reveals the composer's deep understanding of how melody and harmony can illuminate a poet's intention, giving singers material that rewards the kind of attention to language that serves all vocal music.

What to expect

These settings breathe with clarity and directness. The accompaniments are refined rather than elaborate, giving the poetry room to resonate while the piano provides elegant harmonic support that feels inevitable once heard. The overall collection feels like a curated evening of intimate literary encounters.

Who it's for

These songs suit mature singers in late high school through professional levels who have developed interpretive sophistication and the ability to serve the text. Voice students preparing recitals or competitive performances will find material that demonstrates serious artistry without excessive technical demands.

How to get the most out of it

  • Attend closely to the text's emotional arc in each song; Rorem's accompaniment shifts subtly to support the poem's shifting mood, so phrasing should follow the language rather than regular metric divisions
  • Work with your pianist on the balance between voice and piano, especially in the lyric passages where the piano carries thematic material that shouldn't disappear beneath the vocal line
  • Use the contrasting moods across the collection to shape your program; the arc from Browning's dramatic narrative in 'Pippa's Song' through to Dryden's witty farewell gives you genuine musical variety

How to use it

This volume works beautifully as a thematic recital, allowing you to program the six songs with breathing room between them or to intersperse them with contrasting works. You might also draw individual songs to pair with other composers' settings of the same poets, creating a comparative study in a special programming context.

Skills your students will build

  • Connecting melodic contour to poetic syntax and punctuation
  • Interpreting accompanimental figures that comment on or enhance textual meaning
  • Phrasing across formal structures when musical phrases don't align with poetic lines
  • Building recital programs with varied moods and harmonic contexts
  • Balancing vocal production with expressive text delivery in art song style

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