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Six Sonatas: Recorder Book

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Six Sonatas Cover Image

Six Sonatas: Recorder Book

By Guiseppe Sammartini

Item: 12-0571506968

$23.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50696-8
ISBN13: 978-0-571-50696-5
UPC: 571506968000
SKU: 12-0571506968
Instrumentation: Treble Recorder

More about this title

About the Composer: Guiseppe Sammartini

Giuseppe Sammartini (1695-1750) was an Italian Baroque composer and oboist whose instrumental works earned him respect across Europe. He spent much of his career in Milan and London, composing prolifically for winds and strings at a time when such works were still finding their place in concert life. His sonatas combine the formal clarity of the emerging galant style with the ornamental sensibility of late Baroque writing, making them valuable repertoire for understanding the transition between musical eras.

Sammartini's recorder sonatas are particularly prized in music education because they sit at an ideal level of technical and musical difficulty. They demand proper phrasing and articulation without requiring virtuosic finger work, allowing young players to focus on tone production, ornamentation, and the rhythmic vitality that defines Baroque performance.

Why we love this

These six sonatas give recorder students an entry point into authentic Baroque instrumental literature that doesn't sacrifice musicality for accessibility. Each sonata unfolds with clear melodic ideas and satisfying harmonic progressions, so students hear themselves playing something genuinely complete rather than a study or exercise.

What to expect

These sonatas embody the poise and conversational elegance of mid-18th-century instrumental writing. Melodic lines flow with natural breath and phrase shape, supported by harmonies that ground the music without overwhelming it. The overall character is refined and graceful, with moments of spirited brilliance that make the recorder's capabilities shine.

Who it's for

Advanced beginner to intermediate recorder players ready to engage with genuine Baroque sonata literature. These pieces suit students who have solid tone control and can manage basic articulation, but who don't yet need the technical demands of virtuosic repertoire.

How to get the most out of it

  • Shape each movement's opening phrase with a gentle swell and slight emphasis on the downbeat; Baroque phrasing relies on lift and direction, not sustained dynamics
  • Experiment with period articulation patterns (short-long, short-short-long) to give the fast passages their characteristic bounce and clarity
  • Balance ornamentation (trills, mordents, turns) with the structural integrity of the melody; embellishments should illuminate the line, not obscure it
  • Work with a keyboard player to anchor the harmonic foundation; this partnership transforms the sonata from a solo line into a genuine dialogue

How to use it

Program individual sonatas or movements in student recitals to give recorder players substantial repertoire that audiences recognize as legitimate concert music. These works also pair well with other Baroque chamber pieces for a school chamber concert or thematic program exploring the recorder's role in galant-era instrumental ensembles.

Skills your students will build

  • Baroque articulation and phrasing conventions
  • Ornamentation execution (trills, mordents, turns) within musical context
  • Melodic shaping and structural awareness in multi-movement forms
  • Collaboration with keyboard accompaniment
  • Tone control across the recorder's range with stylistically appropriate dynamics

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