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Six Pieces: Organ, Collections

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Six Pieces: Organ, Collections

By Edward Elgar / arr. A. Herbert Brewer, George C. Martin, Edwin H. Lemare

Item: 36-M206291

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Description
This selection of six organ transcription of popular works by Edward Elgar have been completed by A. Herbert Brewer, George C. Martin and Edwin H. Lemare. The following are included: Chanson de Nuit, Op. 15, No. 1 (Brewer); Chanson de Matin, Op. 15, No. 2 (Brewer); Canto popolare (Brewer); Imperial March, Op. 32 (Martin); Triumphal March from Caratacus, Op. 35 (Lemare); Prelude and Angel's Farewell from The Dream of Gerontius, Op. 38 (Brewer).

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Additional Details
Series: Master Organ Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852387-1
ISBN13: 979-8-88-852387-2
UPC: 676737674496
SKU: 36-M206291
Instrumentation: Detailed Instrumentation: Organ Solo

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857-1934) was an English composer who elevated his nation's musical standing on the world stage during a period when British classical music had fallen into obscurity. His orchestral works, choral dramas, and concertos blend Romantic lyricism with structural sophistication, earning him recognition across Europe and America. Elgar's melodies are instantly memorable yet harmonically rich, making his work enduringly popular with audiences and musicians alike.

Why we love this

This collection brings some of Elgar's most beloved orchestral and dramatic works into the organ repertoire through the hands of three distinguished transcribers. The selections span from intimate character pieces to grand ceremonial music, giving organists access to material that displays both lyrical warmth and architectural grandeur. Each arrangement respects the original intent while exploiting the organ's unique tonal resources.

What to expect

These transcriptions capture Elgar's gift for noble melody and sweeping sentiment. Moments of tender nostalgia sit alongside processional grandeur, creating a program that moves listeners through both intimate and expansive emotional territory. The organ's ability to sustain long phrases and build climactic textures makes these settings particularly effective.

Who it's for

Intermediate to advanced organists seeking substantial solo repertoire with emotional range and concert appeal. Church musicians will find both liturgical and recital-appropriate pieces within this collection.

How to get the most out of it

  • Shape the opening of Chanson de Nuit and Chanson de Matin to emphasize their song-like quality; resist the urge to press the tempo despite the organ's sustaining power.
  • In the Imperial March and Triumphal March, establish clear registration changes that support the structural divisions and maintain forward momentum through march rhythms.
  • Use the full resources of the Prelude and Angel's Farewell to color the shift from ceremonial grandeur to the tender closing material.
  • Balance manual work with pedal independence, especially in passages where the pedal carries thematic material or harmonic foundation.

How to use it

Program this collection as a single suite in a recital, selecting pieces that create architectural balance, or draw from it throughout the season to meet different liturgical and concert needs. The ceremonial marches work well on patriotic or festival occasions, while the character pieces suit intimate services or chamber-scale programs.

Skills your students will build

  • Legato pedal technique across sustained harmonic passages
  • Manual independence and smooth manual transitions
  • Registration planning for emotional and structural clarity
  • Phrasing of long Romantic melodies within organ's sustaining capabilities
  • Balance between homophonic and polyphonic textures in transcription

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