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Six for Three: Piano Trio (1 Piano, 6 Hands) Book

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Six for Three Cover Image

Six for Three: Piano Trio (1 Piano, 6 Hands) Book

By William Cheadle

Level: Late Intermediate

Item: 00-88209

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Description
This collection of six pieces for intermediate piano trio---one piano, six hands---is written in a variety of evocative styles, from a slow waltz to a lively folk dance. Titles: March * Waltz * Lazy Kitty * Mystery * Bahama Breeze * Folk Dance. "Bahama Breeze," "Folk Dance," "Lazy Kitty," "March," and "Mystery" are Federation Festivals 2016-2020 selections. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Six for Three: Piano Trio (1 Piano, 6 Hands) Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 24
UPC: 038081248332
SKU: 00-88209

More about this title

Why we love this

Cheadle writes for the specific challenges of six-hand piano playing without sacrificing musicality. Each piece has genuine character and pedagogical purpose, and the Festival selection history confirms they hold up to adjudication standards while remaining genuinely enjoyable to perform.

What to expect

A kaleidoscope of moods and textures. You move from the ceremonial formality of the March through the dreamy Lazy Kitty and the atmospheric Mystery, then shift into the sunlit energy of Bahama Breeze and the spirited Folk Dance. The Waltz sits somewhere between elegance and reverie. Every piece has a distinct voice.

Who it's for

Intermediate pianists ready to experience ensemble playing on a single instrument. This collection works for studio students exploring collaboration, piano trio ensembles seeking accessible intermediate repertoire, and festival competitors looking for certified selections with genuine musical interest.

How to get the most out of it

  • Establish clear communication about hand placement before rehearsal; three players sharing one bench requires agreement on who sits where and how hands will navigate the keyboard.
  • Record a rough pass early to hear balance issues. With six hands on one instrument, some voices will naturally project more; listen back to identify which parts need dynamic adjustment.
  • Practice the transitions between pieces as ensemble moments, not afterthoughts. Six hands lifting together creates visual and sonic unity.

How to use it

Select individual pieces to create a varied six-hand piano recital, or choose two or three contrasting selections for a concert segment that showcases collaborative chamber playing. Several titles appear on Federation Festivals 2020-2024 lists, making them natural choices for students preparing for adjudication.

Skills your students will build

  • Negotiating shared keyboard space and coordinating hand placement with multiple performers
  • Balance and voice leading across three players on a single instrument
  • Reading and executing varied rhythmic and stylistic demands (waltz, march, folk idioms)
  • Communicating ensemble entrances and phrase shapes without a conductor
  • Listening critically to three independent musical lines while contributing one of them

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