Singing The Blues Sheet Music Preview

Singing The Blues: Ukulele

As performed by Marty Robbins / As performed by Guy Mitchell

Item: 35-DS00279266

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00279266

More about this title

About the Artist: Marty Robbins

Marty Robbins (1925-1982) was a country music virtuoso who moved effortlessly across genres, recording everything from traditional ballads to rock and roll. His smooth baritone and sophisticated musical sensibility made him a crossover artist decades before that term became standard; he won a Grammy for his 1959 hit "El Paso" and charted consistently across country, pop, and rock formats throughout his career.

For ukulele players and educators, Robbins' catalog offers accessible entry points into storytelling through song. His melodies sit naturally on the instrument, and his songs reward both casual strumming and more intentional arrangement work.

Why we love this

This pairing of Robbins and Guy Mitchell material gives students permission to explore blues vocabulary on an instrument often relegated to lighter genres. The two-page length means it's manageable without sacrificing depth, making it ideal for intermediate players ready to move beyond basic pop and folk repertoire.

What to expect

Warm and reflective, with the conversational ease of someone leaning into a story. The blues elements give these songs a slight melancholy edge, but the melodic openness of Robbins' writing keeps them buoyant and singable rather than heavy.

Who it's for

Intermediate ukulele students who are ready to tackle songs with real emotional content and want to understand how traditional pop and country songwriting handles blues-influenced material. This works equally well for solo performers building a setlist and for teachers seeking repertoire that bridges folk traditions and popular song.

How to get the most out of it

  • Shape the lyrics expressively; these songs thrive on vocal inflection and rubato rather than metronomic precision.
  • Listen to original recordings to absorb the vocal phrasing, then adapt it to fit your fingerstyle or strumming pattern.
  • If you're playing both melody and accompaniment, experiment with partial capo positions to balance vocal range with accessible chord voicings on the ukulele.
  • Let the blues feel inform your articulation; slight delays on certain syllables and bent notes on the ukulele can deepen the emotional weight.

How to use it

Feature this as part of a retrospective on mid-century American songwriting, or pair it with other blues-influenced pop standards in a concert exploring how mainstream artists integrated blues vocabulary. It also works as a solo feature for a student showcase, particularly if you're highlighting performers who blend vocals and instrumental accompaniment.

Skills your students will build

  • Blues phrasing and expressive timing in melody playing
  • Vocal interpretation alongside instrumental accompaniment
  • Chord voicing decisions on limited-range instruments
  • Genre fluency across country, pop, and blues traditions

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