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Singin' with the Jazz Combo: Baritone Saxophone Book

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Singin' with the Jazz Combo Cover Image

Singin' with the Jazz Combo: Baritone Saxophone Book

10 Jazz Standards for Vocalists with Combo Accompaniment

Arr. Dave Wolpe

Grade: 3+

Item: 00-40401

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Description
The Singin' with the Jazz Combo series offers a variety of 10 great standards for solo vocalist with a nine or ten-piece combo---ideal for the vocalist who needs arrangements for a small ensemble. The combo instrumentation is trumpet, alto sax, tenor sax, trombone, guitar, bass, drumset, and piano with conductor cues for the horns. An optional baritone sax part adds additional color and texture. Superbly arranged by Dave Wolpe, the songs are in a variety of styles and tempos to provide flexibility in all musical settings.

Titles: A Foggy Day * At Last * Falling in Love with Love * Just in Time * Mack the Knife * Polka Dots and Moonbeams * Santa Claus Is Coming to Town * Straighten Up and Fly Right * 'S Wonderful * When I Fall in Love.

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Additional Details
Series: Singin' with the Jazz Combo
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9232-4
ISBN13: 978-0-7390-9232-3
UPC: 038081447865
SKU: 00-40401
Instrumentation: Baritone Saxophone

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe's arranging career spans nearly six decades, beginning in 1965 and establishing him as a trusted voice in big band and jazz ensemble writing. His work with the Glenn Miller Orchestra alone encompasses dozens of arrangements, and he co-arranged the platinum-selling In the Christmas Mood CD, demonstrating his skill at balancing commercial appeal with musical sophistication. Wolpe has also contributed arrangements to the orchestras of Ray Anthony, Lawrence Welk, and Les Brown, building a legacy of reliable, playable charts for professional and educational ensembles.

Why we love this

Wolpe's jazz writing sits at the sweet spot between accessibility and genuine musicality. The baritone sax part weaves naturally into a nine-piece combo without overwhelming the front line, giving your bottom end warmth and harmonic depth while staying out of the way of the soloist. These 10 standards represent the exact repertoire jazz combos actually want to play, arranged with the kind of professional polish that makes rehearsals efficient and performances sound polished.

What to expect

These charts breathe with the unhurried sophistication of the classic American songbook, each tune given room to settle into its own groove. The baritone sax becomes the foundation that other voices build upon, warm and anchoring, whether the combo is swinging hard or floating through a ballad like At Last or When I Fall in Love.

Who it's for

Baritone saxophonists in high school, college, and community jazz ensembles who need reliable parts that sit comfortably in the instrument's sweet spot without technical fireworks. This book works equally well for working jazz combos that want clean, singable arrangements that let a vocalist shine while keeping the ensemble grounded and swinging.

How to get the most out of it

  • Balance the baritone sax tone to support the bass line without doubling it directly; listen for moments where the sax can sit slightly behind the beat to enhance the ensemble's swing feel.
  • Mark the conductor cues printed in the horn parts so the full combo (especially rhythm section) stays locked during ensemble passages.
  • Dial in the baritone's intonation against the piano voicings in the intro and solo sections; low B-flat and B-natural require particular attention in this register.
  • Use the variety of tempos across the 10 tunes to pace your rehearsals; alternate between up-tempo swingers and ballads to keep energy and focus fresh.

How to use it

Feature this collection in a jazz combo concert or as part of a pop/standards show where you want professional arrangements without the complexity of a full big band. The optional baritone sax part means you can perform 10 different songs with flexibility; drop the baritone from a tune if needed, or keep it for rich harmonic color on pieces where that density serves the arrangement.

Skills your students will build

  • Reading jazz chord symbols and comp figures in context
  • Balancing harmonic and rhythmic roles in small ensemble settings
  • Executing swing articulation and phrasing conventions
  • Tracking conductor cues while maintaining ensemble blend
  • Intonation in the lower register against piano and bass voices

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