Sing We Now of Christmas: 2nd Percussion Sheet Music Preview

Sing We Now of Christmas: 2nd Percussion: Choral SoundPax

Traditional French Carol / arr., with new words, by Sally K. Albrecht

Item: 00-PC-0014961_PC2

Digital Download
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Description
This festive Christmas favorite is easy to assemble with lots of layers and effective counterlines. It could be used as a processional. Add the optional flute and percussion parts for a special touch. School or church.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing We Now of Christmas: 2nd Percussion: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
SKU: 00-PC-0014961_PC2
Instrumentation: SoundPax

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades, serving as Director of School Choral, Vocal, and Elementary Publications at major educational music publishers, most recently Alfred Music. A prolific composer and arranger with more than 600 choral works and 75 full-length musicals in print, she has been recognized annually by ASCAP with the Special Music Award since 1987 and is particularly celebrated for her innovative approaches to movement in choral performance.

Her conducting experience spans prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festival ensembles nationwide. Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

Albrecht builds this arrangement with genuine architectural skill. The layered texture and countermelodies transform a familiar carol into something that sounds fresh without losing its recognizable heart, and the optional instrumental parts give you flexibility to scale the arrangement to your rehearsal space and performance resources.

What to expect

Warm and processional, with the kind of festive lift that makes singers and listeners feel genuinely celebratory. The counterlines weave in and out like decoration without ever feeling cluttered, creating a sense of movement that invites physical expression.

Who it's for

This arrangement works beautifully for school and church choirs of mixed sizes and abilities. The accessible layering means singers at different experience levels can find a part that suits them, while the optional instrumental additions give advanced ensembles room to expand their sound.

How to get the most out of it

  • Balance the counterlines so they support rather than compete with the main melody; this gives singers confidence while maintaining textural clarity.
  • If you add flute and percussion, let them establish the festive quality in the introduction, then step back during verses to let voices shine.
  • Use the recorded accompaniment to lock ensemble phrasing during early rehearsals, then gradually reduce reliance on it as singers internalize the harmonic progression.

How to use it

Open a holiday concert with this as a processional, allowing your choir to enter while singing. Alternatively, position it as a centerpiece during the first half of your program, where its accessible joy sets an inviting tone before moving into longer or more complex repertoire.

Skills your students will build

  • Reading layered textures with independent melodic lines
  • Balancing ensemble sound across multiple voice parts
  • Sustaining phrasing across longer musical phrases without breath seams
  • Coordinating with optional instrumental accompaniment
  • Performing with intentional movement and processional awareness

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