Sing We Now of Christmas Cover Image

Sing We Now of Christmas: Choral Octavo SoundTrax CD

$27.99 USD
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Sing We Now of Christmas Cover Image

Sing We Now of Christmas: Choral Octavo SoundTrax CD

Traditional French Carol / arr., with new words, by Mark Hayes

Item: 00-41819

$27.99
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Description
This exuberant rendition of a favorite French carol will live in your library for years to come. Dynamic choral parts, a thrilling piano accompaniment, and a colorful chamber orchestration equally showcase the talents of your choir, your accompanist, and the arranger. A magnificent pièce de résistance for the concert hall or sanctuary!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081468990
SKU: 00-41819

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes brings more than five decades of creative output to sacred and secular music. A graduate of Baylor University's piano performance program, he has established himself as a prolific composer, arranger, and conductor whose catalog exceeds 1,750 published works. His reach spans concert halls worldwide, from Lincoln Center to the National Cathedral to Carnegie Hall, where his major choral works (Te Deum, Magnificat, Gloria) have become staples of the sacred music repertoire.

Beyond his work in choral music, Hayes has demonstrated versatility across musical theater, orchestration, and record production. His Requiem, premiered at Lincoln Center in 2013, went on to international performances, including a performance in Rome as part of the Vatican-sponsored Festival Pro Musica E Arte Sacra. Baylor University honored his leadership in Christian music with a special award in 2010. Currently based in Kansas City, Missouri, Hayes continues to compose across genres, with particular passion for piano literature that ranges from gospel and classical to jazz and Broadway arrangements.

Why we love this

Hayes's arrangement elevates this beloved carol beyond a simple chorale setting. He crafts dynamic vocal writing that gives every section meaningful moments while anchoring the piece with a sophisticated piano part and orchestral color. The piece builds from accessible to genuinely impressive, making it rewarding for both strong choirs and those still developing their blend and independence.

What to expect

Radiant and celebratory. The familiar melody anchors the listener while Hayes's harmonies and orchestral writing add warmth and festive sparkle. There's a sense of occasion here—this feels like the carol you've known forever, now dressed in concert hall finery.

Who it's for

This octavo works for choirs with solid blend and basic part independence. Auditioned choirs will find it rewarding; developing ensembles can still succeed with thoughtful preparation. Directors seeking substantial Christmas repertoire that feels both familiar and freshly conceived will return to this piece year after year.

How to get the most out of it

  • Balance the choir's entrance against the chamber orchestration. The instruments should enhance rather than overshadow your singers; use rehearsals to find the sweet spot where all voices bloom together.
  • Shape the phrasing through dynamic contrast. Hayes's writing invites crescendos and releases that bring out the carol's joyful character without sacrificing clarity.
  • Prepare your accompanist to lead the ensemble confidently. The piano part carries harmonic weight and rhythmic drive; ensemble cohesion depends on secure partnership between pianist and director.

How to use it

Reserve this for your winter concert finale or as a program anchor where the combination of choir, piano, and instruments can shine without competing with heavy repertoire. The piece's exuberance and accessibility make it equally at home in a sanctuary concert or traditional holiday concert series.

Skills your students will build

  • Blending voices across four parts while maintaining textural clarity
  • Responding to dynamic and expressive direction that extends beyond basic crescendo and decrescendo
  • Listening to and balancing with an ensemble (piano and chamber instruments), not just the choir section

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