Sing, Sing, Sing Sheet Music Preview

Sing, Sing, Sing: SAB Choral Octavo

As performed by Benny Goodman / Arranged by Mark Brymer

Item: 35-DS00291093

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00291093

More about this title

About the Artist: Benny Goodman

Benny Goodman emerged as one of the most influential bandleaders of the swing era, earning the title "King of Swing" for his virtuosic clarinet playing and innovative ensemble arrangements. His orchestras set the standard for big band jazz in the 1930s and 1940s, breaking racial barriers by integrating musicians into his groups during a deeply segregated time in American music and society.

Goodman's impact on music education extends beyond performance; his recordings and compositions have become foundational texts for understanding jazz history, swing phrasing, and ensemble dynamics. His emphasis on disciplined musicianship within an idiom built on improvisation and swing remains a model for contemporary jazz and commercial music education.

Why we love this

Mark Brymer's SAB arrangement captures the infectious energy and driving rhythm of this classic without requiring soloists or complex jazz harmonies, making it accessible to choirs still developing swing style. The voicing sits naturally across three parts, allowing each section to maintain independence while contributing to that signature Goodman punch that audiences instantly recognize and love.

What to expect

The energy is bright, propulsive, and undeniably fun. The piece swings with optimism and forward momentum, inviting audiences into a world of 1930s-1940s sophistication and accessibility. There's a celebratory quality that lifts singers and listeners alike.

Who it's for

Choirs comfortable with syncopated rhythms and looking to program music from the American songbook without excessive complexity. This works equally well for secondary ensembles, community choirs, or concert programs wanting to represent the jazz standards repertoire.

How to get the most out of it

  • Establish a solid swing eighth-note feel before rehearsing the melody; this rhythmic foundation transforms the piece from a simple arrangement into authentic period music.
  • Balance the prominence of the main theme with background figures in the other voices. The writing likely includes supporting material that should stay supportive rather than competing for attention.
  • Anchor the rhythm section around a confident walking bass or steady pulse if you're adding accompaniment beyond the printed score; the groove matters as much as the notes.

How to use it

Position this as a concert highlight that showcases your choir's range beyond classical or contemporary works. It pairs naturally with other standards from the swing era or serves as an excellent palate cleanser between heavier choral fare. Consider pairing it with instrumental jazz numbers to create a cohesive program section.

Skills your students will build

  • Swing rhythm interpretation and jazz phrasing within notated music
  • Syncopated ensemble coordination across three independent voices
  • Stylistic understanding of 1930s-1940s American popular music idioms
  • Balance and blend in a rhythmically driven texture

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