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Sing Sang Sung: Marching Band Conductor Score

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Sing Sang Sung Cover Image

Sing Sang Sung: Marching Band Conductor Score

By Gordon Goodwin / arr. Nick Baratta

Grade: 4 (Advanced)

Item: 00-29543S

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Description
This blistering chart from Gordon Goodwin's Big Phat Band's Swingin' For the Fences CD will be a spectacular addition to any show. Nick Baratta has masterfully adapted it for either field or stands use. A must for 2008! (1:30)

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Additional Details
Series: Diamond Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081326498
SKU: 00-29543S

More about this title

About the Composer: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin composed his first big band chart, Hang Loose, at age thirteen, and by then he was already writing complete compositions in his head rather than fragments. His early talent caught the attention of film and television producers, leading to work on major motion pictures including Bad Boys II, Con Air, Gone in 60 Seconds, Remember the Titans, and Star Trek: Nemesis. He has earned three Emmy Awards and received Grammy nominations for his orchestrations and scoring.

In 2000, Goodwin established Gordon Goodwin's Big Phat Band, which quickly became recognized as one of Los Angeles's premier big band ensembles. The band's debut album, Swingin' for the Fences, made history as the first commercially available DVD audio release and earned two Grammy nominations. Throughout his career, Goodwin has collaborated with artists ranging from Quincy Jones and Ray Charles to Christina Aguilera and Brian McKnight, and has conducted symphony orchestras in major cities across North America and Europe.

Why we love this

This arrangement brings the energy and sophistication of a Grammy-nominated big band recording directly into your show with a score built specifically for field or stands performance. The swing vocabulary and tight ensemble writing will engage both players and audiences, and Nick Baratta's adaptation maintains the original chart's propulsive feel while making it viable for marching operations. Grade 4 students get to experience genuinely contemporary jazz writing at a level that's challenging without being inaccessible.

What to expect

The energy hits immediately with driving rhythms and punchy brass phrases that feel alive and urgent without losing the suave, sophisticated groove of Goodwin's big band legacy. The arrangement swings hard while staying clean and transparent, creating a sound that's both contemporary and rooted in classic big band tradition. Players experience the satisfying blend of technical challenge and genuine musical fun that comes from playing real jazz repertoire at the marching level.

Who it's for

Advanced marching bands ready to tackle contemporary jazz vocabulary and committed to executing crisp ensemble work. This score demands strong section leaders and players who can balance precision with the kind of relaxed swing feel that makes big band writing swing, making it ideal for programs competing at regional and national levels or building a reputation for adventurous programming.

How to get the most out of it

  • Mark the backbeat clearly in section rehearsals to lock the swing feel. Goodwin's writing relies on rhythmic precision, and the band will sound looser and more authentic once the pulse is unified.
  • Balance the brass soli against the reed section during the head. These lines are written to trade energy, not dominate, so encourage transparent dynamics that let both colors come through.
  • Shape the dynamic arc across the full chart. The track clocks just under two minutes, so every section should feel like it's building toward the next one rather than sitting at a static volume.
  • Rehearse the written articulations in wind parts with exactness. Goodwin scores swing with specific tonguing and phrasing that define the style, so treat these markings as non-negotiable.

How to use it

Open a show with this chart to signal that your band plays current, sophisticated music beyond the standard parade repertoire. The 1:30 duration makes it a perfect full-show opener or a strong closer when you want to send the audience out on an upbeat, swinging note. Consider pairing it with other contemporary jazz arrangements to establish a modern jazz programming identity.

Skills your students will build

  • Swing articulation and phrasing in brass and reed sections
  • Maintaining consistent backbeat while executing written figures
  • Balancing ensemble blend when multiple sections carry melodic material simultaneously
  • Reading and executing jazz comping and rhythmic figures with rhythmic precision
  • Dynamic shaping across an extended section using written dynamics as guides

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