Sing, Rejoice A Song Of Praise (arr. John Leavitt): SAB Choral Octavo

Leavitt's arrangement transforms this sacred text into a setting that feels both reverent and energetic, giving SAB choirs an expressive piece with genuine character. The voicing stays manageable across three parts while the harmonic language keeps things interesting for singers and listeners alike.

Leavitt crafts an arrangement that feels both grounded and celebratory, with the kind of warm harmonic color that makes singers feel capable and audiences feel transported. The text and music sit together naturally, creating space for genuine expression within a straightforward three-part texture.

This is ideal for intermediate to developing choirs seeking repertoire that balances accessibility with musical substance. It works especially well for choirs with solid fundamentals who are ready to sing something genuinely moving.

• Balance the parts so the text remains clear; sacred choral music lives or dies on diction, and Leavitt's voicing rewards careful ensemble work on vowel matching.
• Let the harmonic progressions breathe. Resist pushing the tempo; this arrangement finds its power in sustained, confident singing rather than speed.
• Mark phrase endings carefully so the ensemble knows exactly where the musical gestures complete. Seven pages goes quickly if you're not deliberate about shape.

This works beautifully in spring concerts, festival settings, or any program calling for uplifting sacred choral music. Consider pairing it with contrasting secular repertoire to show the breadth of your choir's range, or program it as an anchor piece in a sacred music set.

• Sustaining long phrases with consistent tone and breath control
• Balancing three-part harmony with attention to inner voices
• Singing text with clarity and intentional phrasing in a sacred context
• Reading and performing moderate harmonic complexity