Sing at First Sight . . . More Melodies! Cover Image

Sing at First Sight... More Melodies!: Choral Reproducible Book & Data CD

$39.99 USD
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Sing at First Sight . . . More Melodies! Cover Image

Sing at First Sight... More Melodies!: Choral Reproducible Book & Data CD

Reproducible Exercises for Sight-Singing Practice

By Andy Beck and Brian Lewis

Item: 00-42793

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Description
Augment your sight-singing curriculum with this supplemental exercise book that directly correlates to levels one and two of Alfred Music's popular Sing at First Sight method. Every melody in this reproducible resource appears in both treble and bass clef, and the Data CD includes digital files of the entire book for printing and projecting. More Melodies! is highly effective when used on a routine basis after each of the sequential lessons, as needed for additional drill to master challenging concepts, or as a general review following the completion of the original textbooks.

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Additional Details
Series: Sing at First Sight
Publisher: Alfred Music
Page Count: 104
ISBN10: 1-4706-1562-2
ISBN13: 978-1-4706-1562-8
UPC: 038081469980
SKU: 00-42793

More about this title

About the Author: Andy Beck

Andy Beck

Andy Beck directs choral publications for Alfred Music and has composed and arranged over 450 works for singers of all ages, including musicals, vocal resources, and the widely used Sing at First Sight method series. His music circulates globally; a YouTube search reveals performances by choirs in schools, community groups, and honor ensembles across multiple continents. Beck holds degrees in Music Education from Ithaca College (Bachelor's) and Northwest Missouri State University (Master's) and has served as guest conductor, clinician, and adjudicator throughout the United States and beyond.

Beyond his publishing work, Beck performs as a tenor with the North Carolina Master Chorale Chamber Choir, directs musical theatre, and has been a studio vocalist for Alfred Music since 1992. He has been commissioned to conduct and compose for all-state honor choirs and other prestigious ensembles, bringing direct knowledge of what singers need to build literacy and artistry. His educational background and active engagement with choral musicians inform the pedagogical clarity and practical effectiveness of his published materials.

Why we love this

This companion book transforms sight-singing practice from a single-textbook experience into a flexible, layered curriculum. Rather than forcing all students through the same pace, you can assign these melodies strategically: immediately after each lesson in Levels 1 or 2 to reinforce emerging skills, as targeted review for students who need more repetition, or as warm-up material when you want to return to foundational work. The dual clef presentation and 104 pages of material mean you won't exhaust the resource midyear, and the reproducible format with included Data CD eliminates copying constraints entirely.

What to expect

Clean, approachable melodic lines that build methodically without overwhelming. Each melody invites singers to apply specific skills in context rather than drill them in isolation, creating a sense of gradual mastery and growing confidence in reading.

Who it's for

This resource serves choirs working through Sing at First Sight Levels 1 and 2, whether you use the method as your primary sight-singing curriculum or as supplemental material alongside other approaches. Directors managing mixed-ability choirs will find the sequential difficulty and reproducible format especially useful for differentiation and independent practice assignments.

How to get the most out of it

  • Project melodies from the Data CD during warm-up rather than distributing copies; this keeps singers' eyes on you while they internalize patterns and builds ensemble focus.
  • Rotate between treble and bass clef melodies within a single rehearsal to prevent readers from defaulting to one clef and missing the chance to strengthen flexibility across both.
  • Use melodies as stand-alone sight-reading challenges before introducing them as technical drills; singers engage differently when the goal is fluency rather than perfection.
  • Cycle through the same melody across multiple rehearsals at increasing tempos once accuracy is secure; this builds confidence and automaticity without requiring new material each time.

How to use it

Open each rehearsal with one or two unfamiliar melodies as a quick sight-reading challenge to warm up the ensemble's reading reflexes, then assign melodies for solo practice between rehearsals, collecting them informally or using them as part of your choir's weekly preparation expectations. You can also print targeted sets for sectional rehearsals when one part of the choir needs additional work with a particular interval, rhythm pattern, or clef.

Skills your students will build

  • Sight-reading fluency in both treble and bass clef
  • Interval recognition and secure intonation across multiple ranges
  • Rhythmic accuracy in the contexts presented across sequential lessons
  • Independence as singers; ability to maintain a line without relying on ensemble support
  • Confidence reading unfamiliar material at tempo

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