Sing and Rejoice: Choral Instrumental Pak
By Gary Hallquist
Item: 35-PK00240117
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About the Composer: Gary Hallquist

Gary Hallquist teaches Worship Ministries at New Orleans Baptist Theological Seminary and brings decades of church music leadership to his compositions. His background spans multiple institutions across the Southeast, including significant roles at large churches in Alabama, Georgia, and Louisiana. He holds degrees from Oral Roberts University, the University of North Texas (Master of Music in clarinet performance), and Beeson Divinity School (Master of Theological Studies), giving him rare fluency in both musical craft and theological depth.
Beyond composition, Hallquist is an accomplished multi-instrumentalist on saxophone, clarinet, and flute, a recording artist with two solo albums, and a sought-after speaker and worship leader at conferences. His catalog of published church choral and instrumental music reflects a composer who understands what works in real congregational settings. He and his wife Sherrell are parents to three adult children.
Why we love this
Hallquist writes with the wisdom of someone who has led music in actual worship spaces, and it shows here. The piece offers that sweet spot where the harmonic language and orchestration suggest sophistication while the vocal writing stays singable, letting your choir sound polished without requiring months of rehearsal. The energy is infectious and genuine, not manufactured.
What to expect
Bright, affirmative, and warmly celebratory. The piece radiates confidence without heaviness, lifting the listener with straightforward harmonic progressions and clear melodic gestures that feel both contemporary and timeless.
Who it's for
Choirs in church settings or concert programs seeking accessible sacred repertoire with real musical substance. The orchestral accompaniment makes it ideal for ensembles that have instrumental support and want to showcase both voices and instruments in a unified work.
How to get the most out of it
- Let the accompaniment drive the tempo forward; this anthem gains its vitality from rhythmic momentum rather than slow phrasing.
- Shape the dynamic arc carefully through the middle section so the piece builds naturally toward the final affirmation.
- Balance the choir against the orchestra parts so soloists or section leaders can be heard when they carry the melodic line.
- Mark breath points in advance and communicate them clearly; this prevents singers from holding notes past their intended duration and muddying the clean harmonic progressions.
How to use it
This works beautifully as a closing anthem on a sacred or concert program, or as a centerpiece in a service focused on rejoicing and thanksgiving. Its moderate length (around 2 minutes 30 seconds) fits neatly between longer works without losing impact.
Skills your students will build
- Singing sustained lines without wavering under orchestral accompaniment
- Responding to instrumental cues and conducting gestures in real time
- Balancing unison and harmony writing when both occur
- Maintaining musical energy across a piece with consistent forward motion