Sing! (adapt. Mark Brymer): SATB Choral Octavo

This arrangement captures the infectious energy of the Glee version while remaining genuinely singable for high school and adult choirs. The Mark Brymer adaptation balances contemporary pop production sensibilities with solid four-part writing that doesn't sacrifice blend or musicality. Programming it signals to your audience that you're not afraid to meet them where popular music lives.

Uplifting and energetic, with the kind of propulsive optimism that justifies why this song became a cultural touchstone. The full SATB texture adds warmth and dimension that the solo version alone cannot achieve, creating moments of genuine harmonic richness beneath the infectious melody.

This works for show choirs, concert choirs seeking contemporary repertoire, and programs that want a feel-good closer with genuine crowd appeal. The arrangement assumes solid sight-reading skills and comfort with contemporary vocal production, though it remains accessible to intermediate ensembles willing to put in focused rehearsal time.

• Nail the rhythmic precision in the opening moments. This song thrives on groove, and any lag in ensemble rhythm will flatten the energy immediately.
• Shape the dynamic arc across the full 14 pages. Resist the urge to stay loud throughout; the most effective moments come when you've saved something in reserve for the final section.
• Balance the pop vocal production style with choral blend. Your soloists can lean into contemporary phrasing without the ensemble sounding fragmented.
• Lock the sustained notes in the inner voices while the soprano line carries the melody. Many groups lose definition when holding longer values underneath activity.

Close a spring concert with this and watch your audience leave smiling. It pairs naturally with other contemporary pop or musical theatre selections, and it works equally well as a standalone feature or as part of a thematic program about resilience and connection. The 14-page length makes it substantial enough to anchor a set without overwhelming a single concert slot.

• Maintaining rhythmic precision in contemporary groove-based writing
• Balancing pop vocal production aesthetics with ensemble blend
• Reading and executing dynamic shaping across an extended form
• Sustaining harmonic parts with independence and clarity
• Connecting contemporary repertoire to familiar popular culture