Sing A Song (arr. Paul Langford) Sheet Music Preview

Sing A Song (arr. Paul Langford): 2-Part Choral Octavo

By Al McKay / By Maurice White / As performed by Earth, Wind Fire / Arranged by Paul Langford

Item: 35-DS01571014

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS01571014

More about this title

About the Composer: Al McKay

Al McKay co-founded Earth, Wind & Fire in the 1970s as the band's guitarist and a key creative force behind their distinctive sound. His work as both composer and arranger helped define the group's fusion of funk, soul, and pop, establishing them as one of the most influential bands in music history. McKay's compositions showcase sophisticated harmonic movement and infectious rhythmic grooves that remain central to the Earth, Wind & Fire catalog.

Beyond his role as performer, McKay's compositional voice demonstrates deep understanding of ensemble arranging and the interplay between melodic hooks and rhythmic propulsion. His arrangements translate exceptionally well to educational settings, where students can engage with authentic funk and pop writing that doesn't condescend to younger singers.

Why we love this

Langford's 2-part arrangement captures the essential energy and groove of an Earth, Wind & Fire classic without requiring a full ensemble. The voicing remains singable while preserving the funk sensibility that makes this song instantly recognizable, giving students access to authentic popular music from one of popular music's most important ensembles.

What to expect

Bright, propulsive, and infectious. The groove propels forward with the kind of energy that makes singers want to move, while the harmonic writing provides just enough sophistication to keep musical interest alive across multiple rehearsals. This is music that feels good to sing.

Who it's for

Directors seeking contemporary repertoire that engages singers through recognizable popular music while developing musicianship. This arrangement works well for mixed-ability groups, middle school through early high school singers, and any ensemble wanting to bridge the gap between classical and pop idioms.

How to get the most out of it

  • Establish a locked sense of the groove before adding dynamics. Have singers internalize the steady pulse by tapping or conducting eighth notes while singing their parts.
  • Balance the parts so the harmonic support doesn't overshadow the melody. The accompanying voice should sit comfortably behind, not underneath.
  • Layer in articulation gradually. Start with legato, then introduce the rhythmic separation that gives funk its character once intonation is secure.
  • Use the recorded accompaniment to lock your tempo early in rehearsals, then gradually reduce reliance on it to build confidence in your singers' sense of time.

How to use it

Include this in a pops concert or showcase where contemporary music shares the stage with traditional repertoire. It also works effectively as a building block in units exploring rhythm and groove, where students can study how funk harmony differs from classical progressions.

Skills your students will build

  • Sustaining a groove under shifting melodic material
  • Rhythmic precision in funk and pop idioms
  • Supporting a melody with harmonic independence
  • Connecting lyrical delivery to rhythmic pulse

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