Sing A Song: Choral Instrumental Pak
By Al McKay / By Maurice White / As performed by Earth, Wind Fire / Arranged by Paul Langford
Item: 35-PK00219874
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Description
Sing A Song: Choral Instrumental Pak isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Al McKay
Al McKay co-founded Earth, Wind & Fire in 1970 and served as the band's guitarist and primary composer alongside Maurice White. His songwriting shaped the group's signature sound, blending funk grooves with sophisticated harmonies and socially conscious lyrics. McKay's arrangements for the band demonstrated how to layer horns, keyboards, and vocals into intricate yet accessible pop structures that influenced generations of musicians.
Why we love this
Paul Langford's arrangement captures the infectious energy that made Earth, Wind & Fire legendary while keeping the voicing accessible for your ensemble. The rhythmic vocal writing and punchy horn lines stay true to the original's spirit without overwhelming singers who aren't seasoned soul vocalists. This delivers the feel-good factor audiences crave at almost every concert context imaginable.
What to expect
Warmth, optimism, and forward momentum. The piece radiates the joy that defined Earth, Wind & Fire's aesthetic: complex enough to feel sophisticated, straightforward enough to draw audiences in immediately. From the opening notes through the final section, it moves with purpose and style.
Who it's for
Choirs and choral ensembles at the high school level and above who want contemporary material with genuine staying power. Groups with basic instrumental accompaniment resources (piano, recorded tracks, or a small horn section) will find this particularly rewarding. Directors seeking repertoire that energizes audiences and gives singers a confidence boost will find immediate payoff here.
How to get the most out of it
- Isolate the rhythm section (bass and drums) from the vocal ensemble for rehearsals early on. Lock that pocket before layering harmonies, or the piece will feel sluggish.
- Pay attention to the vowel shapes on "sing," "bring," and "thing" - these anchor the rhythmic energy of the piece. Precision here lifts the whole performance.
- Encourage performers to listen to the original recording multiple times. The groove sits slightly behind the beat in subtle ways; sheet music alone won't capture that pocket.
- Balance is critical when horns enter. The arrangement sits horns and vocals together frequently, so blend them as a single color rather than fighting for space.
How to use it
This works beautifully as a concert closer or a strategic bridge between classical and contemporary works on the same program. The 3:30 duration makes it substantial without overshadowing other selections, and its uplifting message pairs naturally with spring concerts or celebration-themed shows. Consider programming it after a more serious work to shift the emotional temperature and send audiences home smiling.
Skills your students will build
- Syncopated rhythmic patterns in funk and disco styles
- Balancing upper harmony lines with rhythmic vocal percussion and bass
- Sustaining groove and pocket across extended sections
- Blending voices with instrumental accompaniment in contemporary voicing