Sing A Song: Marching Band Conductor Score & Parts
By Al McKay / By Maurice White / As performed by Earth, Wind Fire / Arranged by Raymond James Rolle II
Grade: 4-5
Item: 35-PK00155969
Pickup currently not available
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| Product | Price | Quantity |
|---|---|---|
| Sing A Song - Full Score | $8.00 | |
| Sing A Song - Flute/Piccolo | $6.00 | |
| Sing A Song - Bb Clarinet | $6.00 | |
| Sing A Song - Eb Alto Sax | $6.00 | |
| Sing A Song - Bb Tenor Sax | $6.00 | |
| Sing A Song - Eb Baritone Sax | $6.00 | |
| Sing A Song - 1st Bb Trumpet | $6.00 | |
| Sing A Song - 2nd Bb Trumpet | $6.00 | |
| Sing A Song - 3rd Bb Trumpet | $6.00 | |
| Sing A Song - F Horn | $6.00 | |
| Sing A Song - Bb Horn/Flugelhorn | $6.00 | |
| Sing A Song - 1st Trombone | $6.00 | |
| Sing A Song - 2nd Trombone | $6.00 | |
| Sing A Song - 3rd Trombone | $6.00 | |
| Sing A Song - Baritone B.C. | $6.00 | |
| Sing A Song - Baritone T.C. | $6.00 | |
| Sing A Song - Tuba | $6.00 | |
| Sing A Song - Electric Bass | $6.00 | |
| Sing A Song - Bells | $6.00 | |
| Sing A Song - Snare Drum | $6.00 | |
| Sing A Song - Cymbals | $6.00 | |
| Sing A Song - Quad Toms | $6.00 | |
| Sing A Song - Tenor Drum | $6.00 | |
| Sing A Song - Multiple Bass Drums | $6.00 |
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Description
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More about this title
About the Composer: Al McKay
Al McKay's work with Earth, Wind & Fire established him as a foundational voice in funk and soul arrangement. His compositions shaped the sound of one of the most influential bands in popular music, combining precision orchestration with infectious groove.
Why we love this
Raymond James Rolle II's arrangement captures the infectious energy of the original without sacrificing the tight, synchronized feel that makes marching band audiences move. The Grade 4-5 scoring respects the source material while staying playable for bands still building their chops, and the tempo sits perfectly for parade and festival settings where visual impact matters as much as sound.
What to expect
Propulsive and infectious, with the kind of locked-in groove that makes audiences recognize themselves in the music. The arrangement breathes funk energy while staying accessible; it feels like a celebration rather than a concert performance.
Who it's for
Bands at the intermediate to upper intermediate level who want to tackle contemporary repertoire with proven crowd appeal. Directors looking for festival or parade programming that excels in outdoor settings and appeals to general audiences will find this particularly valuable.
How to get the most out of it
- Lock the backfield into the groove first; the percussion foundation has to sit deep and confident before the winds layer in the melodic hooks.
- Balance the brass section so the countermelodies in the upper voices cut through without washing out the lead. This arrangement rewards clarity in the middle register.
- Keep the articulations crisp and uniform in the syncopated passages. Slight sloppiness here reads as weakness rather than swing, so spend rehearsal time on precision execution of the rhythmic figures.
- Use the original recording not just as reference but as a reminder of where the groove should breathe. Overplaying the dynamics can bury the pocket.
How to use it
Feature this in a pops or community concert where it can anchor a set of contemporary hits, or use it as a parade staple that gives students something instantly recognizable to play. The energy and familiarity also make it a natural choice for prelim rounds at competitions where visual choreography will benefit from this rhythm-forward approach.
Skills your students will build
- Maintaining groove and pocket across syncopated rhythmic figures
- Balancing melodic lines within a dense harmonic texture
- Executing crisp articulation in funk and soul-influenced arrangements
- Reading and responding to dynamic contrast in contemporary pop music
- Ensemble cohesion in fast-moving rhythmic passages